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...production, but she masquerades too as a plant-store employee named Priss, striding into a narrator's office "all body," and telling him. "People like you marry people like me;" as the intense 17-year-old wife of the teenage narrator; even in one post-mortem fantasy, as a formless floating femine "blob" of a soul whose outer layer develops iron patches when her philosophizing outstrips the narrator's comprehension...

Author: By Amy E. Schwartz, | Title: Expository Fantasy | 12/5/1981 | See Source »

...collection and put together by its curator, John Szarkowski. But its subject is a crucially important one in American visual culture. When the photograph was young, in the 1840s and '50s, most cultivated Americans were apt to imagine the interior of their continent as a vast wilderness, formless, raw and antipathetic to man. By the 1860s and '70s, this had changed. Thanks to the ideas of men like Thoreau and Emerson, combined with the pervasive religious ideology of the American middle class, untamed landscape was now seen as beautiful and instructive in itself: the sublime fingerprint...

Author: /time Magazine | Title: Photography: From the Sublime to Graffiti | 9/14/1981 | See Source »

...into storm sewers. An expressway is hacked through the landscape. Then a clover leaf, then a regional shopping center, then office buildings, then high-rise apartments. In this way, the bits and pieces of a city are splattered across the landscape. By this irrational process, non-communities are born, formless places without order, beauty or reason, with no visible respect for either people or the land...

Author: /time Magazine | Title: Living: He Digs Downtown | 8/24/1981 | See Source »

...German, it's a well-kept secret. Perhaps they were flipping coins. By the middle of the second act, the show's pace has slowed to a crawl, the scene changes are lengthy, and the production which began in an explosion of striking images and ideas subsides into formless chaos...

Author: By Scott A. Rosenberg, | Title: Singspiel in the Subway | 4/20/1981 | See Source »

...many ways, the exercise of power is the ultimate challenge: the management of people for great causes. Yet despite all that has been recorded about the frustrations and hazards in this formless world of political leadership, the people who enter it are often caught off guard...

Author: /time Magazine | Title: The Presidency by Hugh Sidey: The High Art of Threatening | 4/6/1981 | See Source »

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