Word: forms
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...times, however, Lerner seems to be too preoccupied with the notion of the synthesis of form and content. One of the most frequent subjects of the collection is its own form. “Do not hesitate / To cut the most beautiful line in the name / Of form,” Lerner writes. Not only do these recurrent comments on the poetic form become redundant, but they also subtract attention from other sentiments expressed in the collection...
...Pavement’s sedate final album, “Terror Twilight,” gets the short shrift with just one track. Ethereal pop song “Spit on a Stranger” is a solid choice, but some additional context—either in the form of piano-driven ballad “Major Leagues” or swan song “Carrot Rope”—would perhaps have been helpful...
These shows may be wildly popular, but they don’t aspire to much more than a standard formula. If Lelic is to be successful, he must rise above the inherent constraints in such a form. However, unless his novel is intentionally commenting on society’s desire for an easy arc from obscene murder to thrilling conviction, it never rises above a simple copy of a tried and true blueprint...
...blew it. Now the both of you: get the fuck out of my office.’” Dialogue such as this is virtually indistinguishable from that which could found—profanity excepted—on any crime drama. Lelic starts with a very familiar form, and he fails to make it his own. Instead he bets on riding the coattails of television shows, hoping that their success will be enough to keep his book afloat. It’s a gamble that ultimately fails...
...visceral language and a way of story-telling that we are not used to here,” Genz says. “In Denmark it was really a rather new style, a style forced by the story. The story demands the style, I think. So the form is rather new and fresh here...