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Martie Haselton, a psychologist at UCLA, is exploring the forces that may have shaped those more primal attributes into modern love. She believes it all comes down to the long-term health of children. Haselton calls romantic love a "commitment device," a mechanism that encourages two humans to form a lasting bond. Those bonds help ensure that children survive to reproductive age, getting fed and cared for by two parents rather than one. "Natural selection has built love to make us feel romantic," she says...
...again to suppress thoughts about others. It turns out that love does a much better job of pushing out those rivals than sex does. Haselton argues that this effect is exactly what you'd expect if sex was a drive to reproduce and love was a drive to form a long-term commitment...
...contest pitting the son of a Kenyan against the wife of the man Toni Morrison suggested was "the first black President," it was perhaps inevitable that a battle over race would be joined at some point. It took the form of an arch and insidery back-and-forth between the candidates over the role that the Rev. Martin Luther King Jr. played in the civil rights movement...
...precedent. In 1997 the album The Buena Vista Social Club hit big with a sound defunct even in its native Cuba. In 2000 the old-timey twang of the Coen Brothers' film O Brother, Where Art Thou? grabbed a handful of Grammys. How do you revive an art form? A few hints...
Almost every revived American folk-music form was once recorded for the Library of Congress by musicologist Alan Lomax. He taped Sacred Harp in 1942 and '59. Unlike other finds such as Leadbelly, it failed to spark during the 1960s folk revival, but musicologists were infected. Now the form had imitable LPs and an academic beachhead...