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...high level of abstraction because the purpose is to show how social theories are applicable to all kinds of social phenomena. The theories are not straightforwardly linked to the gender, class, or ethnicity of their creators. For example, when reading Marx, students learn about how ideologies sometimes take the form of statements that appear universal, but hide interests or points of view. Anyone can use this idea to perform an ideology critique of ideas or points of view that present themselves as universal. Isn’t Lee’s editorial an attempt at an ideology critique...
...years later, Melton helped form the Stem Cell and Regenerative Biology another angle to studying the life sciences. Classes were offered that focused on the growth of human beings and the role that stem cells could play in helping treat diseases and injuries. It was during this time that talk began of a new concentration...
...album’s upbeat songs complement these introspective ballads. The opening track, “Thieves in the Night,” instantly demands attention with its electrifying backdrop of persistent beats and darting synth effects. These form a satisfying contrast with Taylor’s plaintive call of “Baby I’ve lost you here in the crowd / Open your arms, I want to be found.” Elsewhere, “I Feel Better” features infectious strings and dance floor-ready auto-tuned vocals, while “We Have...
...vibrantly colorful cast’s pursuit of the typical American dream—in the delightfully ironic form of a bowling trophy—is, of course, anything but standard. The Pudding’s characteristic whirlwind of big personalities, stunning costume and set design, cultural references, ludicrous jokes, and clever puns make “Commie Dearest” a wild ride that, while often an exhilaratingly hilarious experience, is also just as frequently dizzying and lackluster...
...advertisement—the female body has lost its material weight: thus abstracted, it has become an object that can be bound, gagged, and raped in virtual reality with near impunity. Viewed within this theoretical frame, media renderings of violence against women enable a particularly potent, and particularly violent, form of voyeurism. Reducing the female body to decayed and decaying flesh, then subjecting it to a distanced gaze, these productions provide an inherently sadistic pleasure...