Word: forstering
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Adapted from Elmore Leonard's Rum Punch, the plot follows a female flight attendant (Pam Grier) as she sets about holding on to some cash, orbited by a small-time gunrunner (Samuel L. Jackson) and a lovelorn bailbondsman (Robert Forster). Unfortunately, Tarantino has complicated things by letting too much B-movie slip into his creation: specifically, bits of a score from the blaxploitation movie Coffy and a none-too-riveting acting style on the part of the title's heroine...
...Accordingly, we are subjected to long stretches of Grier, punctuated with experimental or retro techniques. Grier gets a '70s long-shot in which we wait for her to walk towards us from 50 feet away (sent up hilariously by Woody Allen in Annie Hall). The screen goes blurry for Forster's bondsman as he thinks. Grier and Jackson carry on an argument behind glass doors...
...title character is a flight attendant running money from Mexico to California for her drug boss Ordell (Samuel L. Jackson), who is variously inconvenienced by his lazily taunting girlfriend (Bridget Fonda), his low-IQ henchman (Robert De Niro), an eager fed (Michael Keaton) and an aging bail bondsman (Robert Forster), whose creased face is a road map of disappointment in the venality of humankind...
...England in Lady Jane. She is our modern antique goddess--a balky Ophelia, for instance, to Mel Gibson's Hamlet. But it is in the early 20th century that her sweet imperiousness has been put to smartest use; she has made no fewer than four films based on E.M. Forster novels (A Room with a View, Maurice, Where Angels Fear to Tread and Howards End). She finds the age attractive--"Women tend to be the protagonists," she notes, "not the ornamental love interest"--and the age returns the favor. If Edwardian England hadn't existed, James Ivory might have...
...From Forster to James might be just a move from one Eaton Square town house to another. When The Wings of the Dove was offered, she thought, "Oh, not another costume drama--and in the period that I've done to death." True, but Kate, who prods her lover Merton to woo dying American heiress Millie Theale (Alison Elliott), is a more complex lady of breeding. She and Merton recall two other devious Europeans, also out to fleece a rich American girl, in James' The Portrait of a Lady. Here, though, the best role and much of the rooting interest...