Word: forthings
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...weeks ago in Ithaca. The Big Red shot just 28 percent from beyond the arc for the night, but sophomore Lauren Benson’s gutsy trey cut Harvard’s lead to one with just under two to play. The first half lacked the back-and-forth drama that came later on, as the Crimson struggled to find offensive rhythm out of the gate. Cornell looked a step too quick for Harvard, and pushed a frenzied pace en route to an eight-point lead—the largest margin either team would enjoy all night. Big-game jitters...
...final match. The Crimson’s two wins came from Peterzan at No. 1 singles and junior Catriona Stewart in the No. 4 spot. Peterzan dominated in her match against Lana Krasnopolsky, who was previously undefeated in singles play. The two ripped groundstrokes back and forth from the baseline, but it was Peterzan who outlasted and overpowered her opponent in the rallies. The junior earned a 6-3, 6-1 victory. “I just tried to stay really focused and composed,” Peterzan said. “Everything kind of clicked.” Stewart...
...mean it’s good for them, it’s good for the league—we certainly love playing in it.”The second half, with the outcome all but in the books, was a back-and-forth battle. The Crimson never seriously chipped into the Cornell lead—the closest it would get was 68-44 with 6:35 to play on a McGeary triple. “I guess we just got to keep in mind that some nights are going to be like that,” Pusar said...
...Back and forth action from Ithaca. After trading hoops to make it 9-4, a right-handed hook in the post by Cornell's Jeff Foote and a three-pointer by Louis Dale ties it at 9. Housman gets fouled going for the jumper on the other end. He'll shoot two after the media timeout. Harvard 9, Cornell...
...G.O.B. on “Arrested Development,” and previously acted alongside Ferrell in “Blades of Glory.” In “Semi-Pro,” he plays sports commentator Lou Redwood. During the interview, Ferrell and Arnett bantered back and forth about Ferrell’s tendency to deviate from the movie’s script. “We tried to hedge our bets by shooting as many options, by improvising a lot, so that when you’re in the editing room, you aren’t nailed...