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Word: fortissimos (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...bird. While doing some crack-of-dawn reading in his St. Tropez villa, he heard a noise in his sleeping wife's adjacent bedroom, opened the door and bumped smack into a young burglar. "What are you doing here?" roared the conductor, appassionato. For answer, he got a fortissimo downbeat right in the kisser...

Author: /time Magazine | Title: People: Sep. 27, 1963 | 9/27/1963 | See Source »

...this production, the storm rises and falls, and the whole becomes a sort of huge stichomythic dialogue between Lear and Nature rather than a ludicrous replica of a lyric tenor trying to sing over an unyielding Wagnerian fortissimo. Yet further experimentation with these scenes can probably make them still better...

Author: By Caldwell Titcomb, | Title: Impressive 'Lear' at Stratford | 7/1/1963 | See Source »

...80th birthday was June 17. And last week, the extravagant tributes to Igor Stravinsky reached a fortissimo as CBS broadcast the world premiere of Stravinsky's only composition written expressly for television...

Author: /time Magazine | Title: Music: Igor's Flood | 6/22/1962 | See Source »

...truer of Tucker than of al most any other tenor that, in the Italian phrase, "the opera is in the throat." What emerges from Tucker's throat is a warm and sensuous voice, vibrant with emo tional fervor, capable of a lyrical legato or a ringing fortissimo. Tucker uses that voice with precise intelligence, lightening and darkening his tone to convey a whole range of feeling. Among the roles that he has not yet sung at the Met are two that contributed to Caruso's fame: Canio in Pagliacci and the old man Eleazar of Halevy...

Author: /time Magazine | Title: Music: The Golden Tenors | 4/6/1962 | See Source »

...Symphony No. 88 in G was the most important work on the program (although the printed program neglected to include mention of the various movements in its listing), but it received a listless reading. Mr. Schenk's tempi dragged, his dynamics lacked any shading (he managed only a creditable fortissimo and much less creditable mezzopiano), his attacks were ragged, his control uncertain...

Author: By Anthony Hiss, | Title: Bach Society Orchestra | 10/30/1961 | See Source »

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