Word: foss
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Dates: during 1960-1969
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...experimental-music lover and he will tell you that since 1963 Lukas Foss, 45, one of the nation's most venturesome young composers, has been leading the Buffalo Philharmonic through the amelodic intricacies of Krzysztof Penderecki, Luigi Nono and other 20th century composers. Ask an educator and you will learn that Buffalo's 21,000-student private university, taken over by New York State in 1962, is now the largest single unit of the new state university system. A new $600 million educational plant, designed by the architectural firm of Skidmore, Owings & Merrill, is on the drawing boards...
...avant-garde arts. Though the latter term is out of vogue in Manhattan's rarefied critical circles, it is used with force and conviction in Buffalo, where the cab drivers lecture their fares on the horror of the Albright-Knox's modern art, and where Foss reminds his listeners that the word avant-garde is military in origin. The artist, in his view, is meant to act as a sort of spiritual shock-trooper for society, forcing it to become aware of new conflicts and realities whether it wants...
Squares for Imagery. The theme of the festival, in Foss's words, is "perhaps revolution, not in the Communist sense but in the Bucky Fuller sense, meaning that if we don't learn to adapt ourselves to the modern situation now, it's the end-and the artist must show us the way." The star and theme setter of the art exhibit, appropriately enough, is that grand old Russian revolutionary and pioneer sculptor of the 1920s, Naum Gabo, 77, with 28 constructions on display. Though the original idea for the festival was Foss's, the planning...
Inside Bach. If any message surfaces from Columbia's far-out stockpile, it is simply that today's musical world spins through healthy confusion. While some composers have chosen to cut themselves off from the familiar sounds of instruments in favor of microphones and amplifiers, others-Lukas Foss, Gunther Schuller and the Russian Edison Denisov-find within orchestral resources the means for flying just as high. Denisov, the first composer from the recently surfaced Russian avant-garde to find his way to records, builds his six-minute Crescendo e Diminuendo by offering the conductor a series of short...
...Just because you did not like Foss's cello Concert [March 17] is no reason for name-calling and reasonless ridicule. I am not one of those who feel that "if it's new, it must be good," but I have a strong suspicion that the composer of Time Cycle and Echoi has not suddenly stopped writing masterpieces and started writing trash. Moreover, your review is strongly reminiscent of the derisive criticism that has greeted every major composer. One is reminded of Mozart's clarinet concerto ("Unfit for ladies' ears") and Beethoven's seventh symphony...