Word: foss
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Composers used to like nothing better than to sit down at the harpsichord or pianoforte and improvise on their own works. Bach, Handel and Beethoven were as well known for their improvisations as for their written compositions. Now Composer-Pianist Lukas Foss, 38, is contriving, with the help of a $10,000 Rockefeller grant, to put the long dead custom back into classical music-and make it an en semble...
...idea of "controlled improvisation" to free classical music from its "slavery to the printed note" first occurred to Composer Foss while listening to the high-brow jazz of the Modern Jazz Quartet three years ago. Foss invited a group of classical players-all former composition students of his at U.C.L.A.-to get together and improvise freely in a classical counterpart to the jazz manner. They soon had to give up that approach: "We just daydreamed; we didn't make music." What he was looking for, Foss realized, was a group improvisation in which every player would in some...
...ovation. Igor Stravinsky turned to face them, ducked his head with a shy smile, the light tilting off his glasses. Then he stepped up on the podium to receive a different kind of ovation from four of the U.S.'s leading practitioners of his own art: Composers Lukas Foss, 37, Aaron Copland, 59, Roger Sessions, 62, Samuel Barber, 49. Seated at four grand pianos, two on each side of the stage, the four were assembled to play Stravinsky's choreographic cantata Les Noces (The Wedding)in ritual homage to the 77-year-old composer they all call their...
...four participant composers were invited by Stravinsky to appear in the concert last summer. At first they all practiced individually; Foss, the only professional pianist in the group, worked for "only about five hours," but Sessions, who rarely performs in public, found that he had to "practice very hard." The four rehearsed with Stravinsky only three times. "He was," says Copland, "a little worried about us." But even Stravinsky was delighted with the way the performance went off, gave each composer a silver-framed, inscribed photograph as a memento. Why had the four interrupted their own busy schedules to undertake...
...managed to turn out a symphony and a quantity of piano works and chamber music. As a concert pianist, he admires the moderns-Copland, Barber. Prokofiev, Hindemith, Bartok-but he has also recorded all the four-hand piano music of Mozart, with his good friend Composer Lukas Foss. His jazz manner is all his own: a fanciful, highly individualistic style, characterized by kaleidoscopic rhythmic shifts, trip-hammered treble runs and a discreetly swinging left hand punctuated by sudden stops and breaks. He heads a combo that performs occasionally in dedicated jazz rooms, and with famed West Coast Drummer Shelly Manne...