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Another offshoot of within-course grades is that students still could gain a sense of where their talents lie. However, they would not have to worry about initial difficulties bringing down their GPAs. This would increase academic experimentation and foster creativity...

Author: By Anna-marie L. Tabor, | Title: Abolish Harvard's Grading System | 2/17/1996 | See Source »

...like to foster a spirit of international cooperation, and perhaps a little more than in the real world, compromise and working together," said Aurora J.S. Swithen-bank '97, charge d'affaires for the conference...

Author: By William E. Rehling, SPECIAL TO THE CRIMSON | Title: Model U.N. Is Largest In World | 2/17/1996 | See Source »

...midnight runs--prostitutes, pimps, pushers and various basket cases--he begins a strict physical and mental regimen in pursuit of some goal at which we can only guess. After an innocent attempt to woo a senator's aide (Cybill Shepherd) and to rescue a teenage prostitute (Jodie Foster) from the streets, Travis resorts to drastic means to make something happen. First stalking the senator, then turning his attention back to the "scum of the streets," Travis moves inexorably towards a destructive climax...

Author: By Nicholas R. Rapold, | Title: Yeah, We're Still Lookin' at DeNiro | 2/15/1996 | See Source »

...perhaps this very difficulty in processing the real world with any semblance of understanding that defines Travis's state: he cannot perceive reality beyond a basic conflict between a common man/hero in the evil world he must inhabit. Accordingly, the sight of a thirteen-year-old prostitute (Jodie Foster) fascinates him, epitomizing the destructive influence of the "scum of the streets." Later, her detestable pimp (Harvey Keitel) will be the first to face his vision of justice...

Author: By Nicholas R. Rapold, | Title: Yeah, We're Still Lookin' at DeNiro | 2/15/1996 | See Source »

Populating this world are memorable characters, played by an excellent cast. Robert De Niro's Travis by turns charms, mesmerizes and shocks the viewer. His performance includes the now-famous monologue to the camera ("Are you talkin' to me?"), said to have been improvised. A young Jodie Foster contributes a jarring, Academy Award-winning performance as a young prostitute: one moment she is undoing a belt buckle in businesslike manner, at another she is giggly and talkative while eating a piece of bread slathered in sweetness. Harvey Keitel is the epitome of the slimy pimp--he claimed to have rehearsed...

Author: By Nicholas R. Rapold, | Title: Yeah, We're Still Lookin' at DeNiro | 2/15/1996 | See Source »

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