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...ring on his finger; when wealthier, he capped the radiator of his chauffeur-driven automobile with a Rodin bronze. He arrived in France from Japan in 1913 wearing a purple morning coat and a pith helmet; eleven years later he was the most fashionable painter in Paris. Tsugouharu Foujita, now 79, is a living souvenir of the days when the School of Paris was in kindergarten...

Author: /time Magazine | Title: Painting: Wild Man of Wisteria | 10/28/1966 | See Source »

...Mascot. Chaim Soutine, whose work hangs in many galleries, painted a portrait of Kiki, and soon other painters sought her out. Foujita, the Japanese artist with the rice-bowl haircut, sketched her a score of times. Kiki became a professional model. Artists liked to paint her because she always seemed gay, never whined in self-pity, and though dope, drink and uninhibited sex all touched her, she somehow kept a kind of innocence...

Author: /time Magazine | Title: FRANCE: Violets for Kiki | 4/6/1953 | See Source »

...year she began to show signs of liver cirrhosis, and she spent a couple of months in the hospital. Last week, at 51, she was dead. There was no room for her in Montparnasse Cemetery, so her friends buried her at Thiais, out beyond the Porte d'ltalie. Foujita was there, his fringed hair now white. One by one the old Bohemians dropped their bouquets on the coffin, and then an old lady, clearly no Montparnassian, stepped forward with her floral tribute. She had been in the same hospital as Kiki, and had loved her gay talk. Cheerily Kiki...

Author: /time Magazine | Title: FRANCE: Violets for Kiki | 4/6/1953 | See Source »

Ladies & Animals. The 20 paintings in Foujita's new show had all been done in the past eight months. The most memorable of them were snowy idealizations of naked ladies lying down and animal pictures that brought Arthur Rackham and the fables of La Fontaine to mind. He had been inspired to start both series, said Foujita, by a dream in which animals in human dress had mingled with humans in nothing...

Author: /time Magazine | Title: Art: Elegance | 11/21/1949 | See Source »

...Foujita used no models for any of his new pictures. His silvery nudes belonged "to no nationality, no epoch. I have had 3,000 models and I don't need them any more." He had imparted an oriental delicacy to such details as the hair and toes, but generally slurred over the major elements that better draftsmen are apt to emphasize: the thrust of a knee or elbow, the twist of a torso or the solid bulge of a thigh. Shining out against deep black backgrounds, his nudes had more flow than form...

Author: /time Magazine | Title: Art: Elegance | 11/21/1949 | See Source »

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