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...year's slickest shows opened in a Manhattan gallery last week. The paintings, by 62-year-old Tsuguharu Foujita, were as clear and dry as the Martinis served at the opening, though not so powerful...

Author: /time Magazine | Title: Art: Elegance | 11/21/1949 | See Source »

...miniature smile, and a small, limp hand. The ring which he had once had tattooed on his finger was concealed by a wide gold band, his tattooed watch by one that told the right time. It was not easy to connect the gentle and sedate old Japanese with the Foujita...

Author: /time Magazine | Title: Art: Elegance | 11/21/1949 | See Source »

Bangs & Tangos. "The year 1913," a French critic once wrote, "was distinguished by the arrival in Paris of Foujita and the tango." For a while they were almost equal sensations. An ambitious art student who had thrice been refused admission to the Tokyo Salon, Foujita rightly reasoned that his black bangs, Harold Lloyd glasses and whisker-fine brush drawings would please Parisians more than they did his fellow Japanese. He came to know Montmartre better than he had Fujiyama, strolled its steep streets in a leopard-skin hat, followed by a brace of tabbies on a leash...

Author: /time Magazine | Title: Art: Elegance | 11/21/1949 | See Source »

Society swells and bohemians alike flocked to Foujita's exhibitions. Utrillo and Modigliani swept him off on their absinthe binges, though he himself never touched a drop. Matisse dropped around to ask how he made his lines so thin and firm (he does it by holding the brush vertically, in the Chinese way, and drawing from the shoulder instead of the wrist), and solemnly assured him that had he been born in Europe his name would have been Picasso. The Lucky Strike people asked Foujita for a testimonial; his response (for use in Paris newspapers): "Women like to kiss...

Author: /time Magazine | Title: Art: Elegance | 11/21/1949 | See Source »

...Foujita abruptly turned his back on all that and took off for Tokyo; he was afraid the Germans would bomb Paris. When the Pacific war came he was conscripted to paint combat pictures at $33.76 a month. Among the most popular was Raid on Pearl Harbor, done from an aerial photograph. He was bombed out of his Tokyo studio; his black bangs turned to silver. At war's end he shipped a show to Manhattan (TIME, Sept. 8, 1947) to raise money for a trip...

Author: /time Magazine | Title: Art: Elegance | 11/21/1949 | See Source »

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