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Dates: during 1940-1949
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Last month the filmsters went back to Much Wenlock to shoot Gone to Earth's climactic scenes. They found a new and unexpected chill in the Shropshire air: there was not a Master of Foxhounds in sight who would lend a pack of hounds to them. They tried farther afield, but the Sports Society had done its work well. "We gave no orders to any M.F.H.," explained its Assistant Secretary Michael Shephard. "We simply advised them that in the opinion of the B.F.S.S. it was inadvisable to cooperate in the making of this film." Dejected, the moviemakers returned...

Author: /time Magazine | Title: Foreign News: Gone to Earth | 11/14/1949 | See Source »

After deep thought, Hollywood Art Director Emrich Nicholson concluded that glamour girls look their best only against exactly the right backgrounds. For example, he said, Betty Grable shows up fine in a curlicued Louis XV setting, and Jane Russell seems to "go with a haystack." Nicholson found one exception: Ava Gardner. "With that face and figure? Heavens, she'd stand out in front of almost anything...

Author: /time Magazine | Title: People: People, Nov. 14, 1949 | 11/14/1949 | See Source »

...Producer. In her 18 years as one of the two regulars among Broadway's few women producers,* Regina's Cheryl Crawford has managed to combine hardheaded business instinct and high-minded theatrical taste. The results were more praiseworthy than profitable until she found a knack for offbeat musicals: 1942's revival of Porgy and Bess, 1943's One Touch of Venus, 1947's Brigadoon-her biggest hit, after some of the town's canniest producers had turned it down...

Author: /time Magazine | Title: The Theater: New Musical Play in Manhattan, Nov. 14, 1949 | 11/14/1949 | See Source »

Austin Cooper is a tweedy, grey-bearded Londoner of 59 who made his name as a poster designer. "But during the war," says Cooper, "my interest in posters faded. I found my hands were functioning without any volition. The first results were doodles, then automatic writing. I thought 'If my pen is doing this, why not the brushes?' One day my hand shot out. Much to my astonishment it picked up a brush and drew on a board...

Author: /time Magazine | Title: Art: Anything Can Happen | 11/14/1949 | See Source »

...brown ink and pasted scraps of paper). To keep his art "automatic," he read the Book of Psalms while his hands did what they pleased. He became a vegetarian ("I don't think I could have worked so long on roast beef") and, what was more important, he found a dealer. Cooper's labors, on exhibition in a London gallery last week, inspired a certain amount of automatic writing on the part of British critics. "It may perhaps be taken as a guarantee of ... authenticity," the London Times opined, ". . . that his pictures are extraordinarily minute and precise...

Author: /time Magazine | Title: Art: Anything Can Happen | 11/14/1949 | See Source »

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