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Dates: during 1960-1969
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Images of entrapment abound in Pickpocket. Michel is consistently found between two people. In more than one case these are police detectives. More interesting, however, are the patterns of light which Bresson manages to achieve. Bresson is fanatical in his use of light. Capable of creating films entirely in whites (Au Hasard Balthazar) or in blacks (Diary of a Country Priest, Mouchette), in Pickpocket Bresson uses both in conjunction to demonstrate the difference between Michel's acts and their consequences...
...sequence includes both Jeanne and Michel the ligthing becomes fantastically complex, creating dark and light areas through which the characters continually move. It is only at the end, when separated by the bars of the prison, a spiritual union between Michel and Jeanne is effected. The couple is finally found in the same area, in contradiction to all physical deterrents, and the frame is dominated by the white light of salvation. TERRY CURTIS...
Lynda, asked why she didn't have any affairs, replied that she couldn't have an affairs because she never took her gloves off: the remark was found the very essence of "camp...
...client's educational level is found to be too low to contract him out to a regular school, he is sent to the second set of Win specialist--the Adult Basic Education (ABE) team. Again stressing an individualized program, the team assists the satisfied that he has achieved his objectives, which will support his employment goals...
...third drawback is found in the main focus of the program. Designed to let a client chose a job that will offer incentive, the WIN counsellors consider the supply and demand for the job as secondary...