Word: found
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Dates: during 1960-1969
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...when we choose to live, we choose to live in one kingdom so entirely, that we forget the possibilities alive in neighboring realms. We may be more open, more frank, but we have lost the ability to taste simultaneously conflicting passions. In such a world, pathos is rare, when found it is priceless. For pathos, at its best, is the commingling of pleasure and pain, of laughter and sorrow, in such a precise equality that one simultaneously feels the presence of both...
...years ago, a film entitled Paris Vu Par (literally "Paris as seen by...") was organized. By including three "established" directors (Chabrol, Rouch, and Godard) along with three young directors (Douchet, Pollet, and Rohmer) and by shooting in 16mm rather than the more expensive 35mm, an economically feasible means was found to give the second generation Cahiers critics a chance to follow the path of the first. The result is surprisingly successful, containing two films (by Chabrol and Rouch) whose stature can only be termed monumental, two films (by Douchet and Rohmer) which are honest and successful in a smaller...
...imaginations hadn't castrated by eleventh grade health teachers, Garbo clothed and smoking a cigarette would be enough to turn us on. In fact eroticism in art derives as much from what is suggested as what is shown--those of us old enough to appreciate eroticism have already found out by took and crook what everything looks like and don't need very much of it unbared on the screen to heighten the impact...
Ahern emphasized his Division's unused power. "We have not made any prosecutions. If we found a violation of law, we could go ahead and prosecute. This here, in essence, is an intelligence bureau. We gather intelligence and maintain files," he said...
Neither time nor text, for one, allows a full characterization for each of the twelve disciples; but a device must be found to break their identification with the traditional figures of religious art, from Da Vinci canvases to plaster saints. So the disciple of this staging are cast and pressed as street people, marked in dress and aspect by the miles behind and the miles ahead. Together, they resemble both a juvenile gang and a disreputable pick-up football team. Separately, they evoke overtones: St. John (Lloyd Schwartz) suggests a veteran of the Sierra Maestra, while St. Matthew (Michael Dobson...