Word: found
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Dates: during 1960-1969
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Shoe Black. So it came to pass that the Mets found themselves competing in the world championship of baseball. Their foes were the strongest, most arrogant players of all-the gang from Menckenville. "A fluke," said the wise men of Las Vegas. They called the Mets 8-5 underdogs. And, as predicted, the Mets lost the first game, 4-1. All the talk was of bubbles bursting and of the explosion of impossible dreams. "We told you so," said the smart-money bettors. But the Mets were undaunted; they refused to heed the doomsayers...
...catches. Bonn Clendenon, who at the start of the season was a seller of Scripto pens, hit three home runs. Infielder Al Weis, a man who had never harmed anyone in his life, tied the last game with a home run. And when the Mets could not hit, they found other, more devious ways of arriving at first base. Not even the umpire, for instance, knew that Batter Cleon Jones had been hit on the foot by a pitch -until Manager Gilbert Hodges produced the ball with shoe blacking on it. Some said that Hodges had carried that smudged ball...
...secret in the church that the man once believed in line to succeed the late Francis Cardinal Spellman was restless and unhappy in his out-of-the-way post. As one friend expressed it: "After being on the heights of Mount Tabor all his life, the bishop found his Calvary in Rochester." Even so, his resignation last week at age 74, after less than three years in his first important pastoral post, came as a surprise...
...dictating faintly remembered news stories into a make-believe telephone. "Oh, Miss Jones," the ritual began, "I've got a good lead for today." When he had finished "filing" the story, he sometimes put in another imaginary call-to his 25-year-old daughter in London. He found the perfect use for China's stiff brown toilet paper: he made himself a deck of cards out of it and played solitaire...
Artaud's vision encompassed a theater that could sweep through an audience like a plague, be as direct as a bullet, release the torments and ecstasies that may be found in death, martyrdom and love. He felt that the theater was strangling in words and could be reborn only through signs, sounds and the primitive force of myth. Above all, he wanted a burning intensity to be felt in the theater that would sear an audience: "The spectator who comes to us knows that he has agreed to undergo a true operation, where not only his mind...