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Dates: during 2000-2009
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Leslie’s story is far less clichéd than his music. A Government concentrator and member of the Krokodiloes, he graduated from Harvard at the tender age of 19 and delivered the Harvard Oration during commencement. Soon thereafter he found his way into music production. He’s produced for Beyoncé, Britney Spears, and most recently Cassie, whose single “Me & U”—written and produced by Leslie—reached #1 on Billboard’s Hot R&B/Hip-Hop Songs. Leslie is a master of marketing, harnessing...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Ryan Leslie | 11/6/2009 | See Source »

...albums few strengths are found in its rythms, which are at times intricate, like at the start of fourth track “Is it Real Love.” “Where did you come from / where have you been?” sings Leslie, opening with a triplet and ascending gracefully in eighth notes. And in Pusha T’s opening rap phrase on “Something That I Like,” the rhythmic structure leads to an intriguing enjambment: “Silly me, now I’m so into her / fashion...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Ryan Leslie | 11/6/2009 | See Source »

...songs are listenable, indeed—it lacks substantive value, and it cheapens the notion of romance by reducing it to a set of false-sounding phrases. Leslie’s previous songwriting and producing successes have failed to translate into his newest role. He may have found success coupled with Beyoncé or Cassie, but alone, he flounders...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Ryan Leslie | 11/6/2009 | See Source »

...section on the policy found on the Massachusetts Film Office website reads: “Studios, producers and filmmakers–who either shoot at least half of their movie or spend at least half of their production budget in the Commonwealth–are eligible for a tax credit equal to 25 cents for every new dollar of spending they bring to Massachusetts...

Author: By Andrew F. Nunnelly | Title: It Ain’t Always Sunny in Boston: Films Lie About City | 11/6/2009 | See Source »

...over-the-top nature of “Raditude” undermines any attempts Weezer makes at deviating from their new-found direction. “Love is the Answer” is a failed attempt at semi-serious themes, embodied in lyrics such as “There will come a day / When we transcend our pain,” which seems out of place on an album of stories filled with teenage drama (cf. “The Girl Got Hot,” “In the Mall?...

Author: By Renee G. Stern, CONTRIBUTING WRITER | Title: Weezer | 11/6/2009 | See Source »

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