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Word: fountain (lookup in dictionary) (lookup stats)
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...with big bands and hot jazz. There are marching bands and washboard scratchers, as well as beer hall oom-pah-pah and big-name oomph. Concert performers will run the scale from Willie Nelson and Linda Ronstadt to Itzhak Perlman and Isaac Stern. Naturally, Al Hirt and Pete Fountain will also drop by to blow a few notes on behalf of the local talent...

Author: /time Magazine | Title: Living: The Worldliest World's Fair | 5/28/1984 | See Source »

...simple plot is enhanced by the colorful and symbolic figures that influence Hobbs' quest. There is his grumpy yet loveable coach, Pop Fisher (Wilford Brimley), whom the audience first encounters in the Knights' dugout patiently watching his clumsy ball players and screaming about the rusty water from the water fountain. Pop Fisher needs a break, and when Robert Redford saunters into the pit, reminiscent of Butch Cassidy and the Sundance Kid, the audience feels a thrill of excitement at the predictable future of the Knights...

Author: By Rachel H. Inker, | Title: A Magical Myth | 5/25/1984 | See Source »

Snaking through the movie is a familiar Spielberg theme: the disappearance, and then the welcome return, of children. It illuminates his three most personal movies (Close Encounters, Poltergeist and E.T.) and affirms his belief in movies as a Mechanized Fountain of Youth. Toward the end of Temple of Doom, Indiana leads hundreds of enslaved Indian children out of an underground quarry and into the light. Spielberg means to be another kind of Pied Piper: leading grownups into the darkness of a moviehouse to restore, for a couple of hours at least, the innocence of childhood in all its wonder...

Author: /time Magazine | Title: Cinema: Keeping the Customer Satisfied | 5/21/1984 | See Source »

Until a decade or so ago, what was considered good modern design in America was not American at all. It was the International Style, promulgated mostly by Weimar Germany's Bauhaus: sleek, austere functionalism that lent an impersonal, industrialized finish to everything from skyscrapers to fountain pens. Increasingly, however, we are realizing that the design that has most consistently appealed to us all along-buildings like Eero Saarinen's main terminal at Dulles International Airport, furnishings like the Eames lounge chair-had its genesis not in Weimar but in a relatively little-known school of art and design...

Author: /time Magazine | Title: Design: Our Bauhaus | 5/7/1984 | See Source »

...stately, romantic brick buildings, with their web of walkways, courts, terraces, stairs and walls, all highlighted with sculptures and other objects by the outstanding artists Saarinen attracted to Cranbrook, probably represent this century's most successful integration of architecture, landscape design and works of art. Every brick, shrub, fountain, gate and ornament contributes to the delight of the whole...

Author: /time Magazine | Title: Design: Our Bauhaus | 5/7/1984 | See Source »

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