Word: fours
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Well, I didn't play with him until the 40's. But I started listenin' to Drag when I was only a little bitty fella.' He didn't play no bass, then. He played guitar and sang creole songs. He had a little group of 'bout three or four pieces. Had a fella slappin' a washboard" -- George made a washboard-slapping gesture--"and a fella on violin, and Drag. They would go all around to little picnics, and backyard parties, and wakes and weddin's. Wherever they could find food and liquor." He smiled...
...cold January night. Three or four people were standing on the front porch of Blandin Funeral Home when I arrived...
...ranks of the old musicians are thinning out. Four musicians died last year. Slow Drag Pavageau died a week after George Lewis. Of the Lewis band that I heard in 1962, only two are still alive. Twenty or more have died since Preservation Hall opened. With each new death, it seems that the dirges played by the remaining old men are dirges for themselves. When they are gone--as they surely will be in ten years--the show will be over. There will be no one left to play at their funerals...
...Shark Island (1936). Dr. Mudd, unjustly imprisoned on an American Devil's Island, is recruited to stop a Yellow Fever epidemic. He must rally the panic-stricken soldiers, who are shown to us initially in rapid montage of richly lit terrified faces (a characteristic Ford device seen in Four Men and a Prayer, The Fugitive, The Sun Shines Bright and other films, and an example of Eisensteinian Classicism). Next he airs out the sick ward as a windstorm accompanied by lightning flashes begins (expressionism). He takes sick himself and tries to sleep. The master shot of his bedroom stresses angles...
...Quiet Man (1952) is a ravishing color film shot in Ireland with the staples of the Ford "stock company": Wayne, Maureen O'Hara, Victory McLaglen, Ward Bond, Barry Fitzgerald. The Sun Shines Bright, Ford's deserved favorite of his films, is complex and unfashionable, and one of Ford's four unqualified masterpieces (How Green Was My Valley, The Searchers, Liberty Valance). The Searchers (1956) is the great epic of American film, and The Man Who Shot Liberty Valance its deepest statement of the lamentable transition to modern society. Donovan's Reef is one of his funniest, while putting an audience...