Word: fourthly
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Dates: during 1890-1899
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...only base on balls which Bates gave during the game, but he also was caught at first. Throughout the game Bates was very efficient in keeping the Dartmouth men close to their bases. Eaton struck out. In the third all three Dartmouth men struck out. In the fourth Abbott made the first base hit for his team. He stole second and was thrown out while trying to make third on Baehr's grounder to Hovey. Heath meanwhile filed out. Bach, who reached first while Abbott was being retired at third, was thrown out at second, and the side...
...plate on a hit by Hovey. Trafford went out on a grounder to the pitcher, and Hovey was left. In the third inning Alward was put out at the plate on the throw in by Heath of Cobbs' hit, and Harvard made no runs. In the fourth Bates reached first on Abbott's fumble of his grounder, second on Eaton's fumble of Deane's grounder, and home on Eaton's wild throw to Thompson. Hallowell hit to short while Dean was on first. The latter was forced out at second. Hallowell stole second. Hovey knocked still another grounder...
...fourth Worcester failed to score. The first three Harvard men at the bat went out. In the fifth Howe took Bates' place in the box. Worcester made a run on a base on balls, a hit, a wild pitch and Howe's muff at the plate of Cobb's throw. Again Harvard's first three men went out, two of them at second base...
...base running, yet this was not perfect. We might have had one more run as easily as not. In the eighth inning, with one man out, Frothingham was coached to come in from second on Alward's hit, and was easily thrown out at the plate. In the fourth inning Dean wrenched his leg in stealing third, and Trafford played the rest of the game at second. Dickinson was put on first. The umpiring of Mr. Hunt was execrable...
Beethoven's third Leonore overture opened last night the last Symphony Concert of the season in Cambridge. The overture was finely rendered by the orchestra. The two selections from Godard were the third and fourth movements of his "Symphonie Orientale," a symphony descriptive of poems by De Lisle, Hugo and Godard. The first. Nikia's Dream, has a beautiful melody for the oboe, taken up by the violins, and then changing to a subject employing the whole orchestra. In the second, In the Hammock, the pricipal theme is introduced by the clarionet and worked out by the strings...