Word: fourthly
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...Coach Walsh likes to call them bulldogs,” Crimson captain Harry Douglas said. “That’s really what they proved.”Senior outfielder Tom Stack-Babich paced Harvard offensively, smashing a tape-measure three-run homer in the top of the fourth.“I flipped a changeup out onto the soccer field,” he said. “I hit it pretty hard.”JACKSONVILLE STATE 7, HARVARD 6After the Crimson let the Gamecocks come back from a seven-run deficit in the first game...
...winning streak at home duels to nine, it would have to clip the wings of the Golden Eagles. Through an insatiable work-ethic and refusal to lose, Marquette harried Harvard across the brackets, scrapping for every point.With the score poised at 3-1, freshman Davis Manghan delivered the crucial fourth point for the Crimson in dramatic circumstances; after slumping to a bagel in the opening set, Harvard’s No. 5—returning from illness—responded emphatically to defeat Marquette’s Mark Rutherford...
...Briggs, edging him down the final length of the pool in Saturday’s race.Meyer finished first in 15:01.18, a mere 0.81 seconds ahead of Briggs, while Meyer’s teammate, sophomore Blake Lewkowitz, followed closely behind in 15:06.91, fending off another Tiger to take fourth place in the race.“It wasn’t my best time,” Meyer said about his showing. But the junior took pride in accomplishing what had been one of the Crimson’s main objectives for the weekend—beating Princeton...
...wife Desdemona, Melynda Davis presented a polished performance that was both passionately and exquisitely sung. Davis was able to produce brilliance with her lower voice that was complemented by the fullness of her upper register. She also gave a most entrancing dramatic performance, especially in the opening of the fourth act. The title role of Otello was sung with gusto by the tenor Brian Landry, whose commanding stage presence and intensity of tone provided a compelling portrayal of the general. He did a marvelous job of conveying the rapidly changing emotions that Otello experiences over the course of the production...
...remarkable for the violins, flutes, and clarinets’ ability to glide weightlessly as if dancing with tempered passion.In the plaintive third movement, “A Scene in the Country,” the HRO moved smoothly through the shifts of emotion, enhanced by breezy strings. The fourth movement depicted the vision of the artist’s procession to his execution after killing his beloved, and the timpani, horns, and cellos led the march with tragic urgency. During the performance of the final movement, the “Dream of a Witches’ Sabbath...