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...they win again? In her memoir, Hillary closed by writing of her final moments in the White House Grand Foyer. The longtime butler there "received my last goodbye embrace and turned it into a joyous dance. We skipped and twirled across the marble floor," she writes. "My husband cut in, taking me in his arms as we waltzed together down the long hall." A farewell, perhaps. Or maybe the Clintons will yet want to have another dance...

Author: /time Magazine | Title: Hillary: Love Her, Hate Her | 8/20/2006 | See Source »

...place of revelry more than a place of study. The signs were apparent from the beginning. As the clock struck midnight on October 18, 1,500 undergraduates congregated in euphoric glee to celebrate Lamont’s extended hours. A chorus of cheers filled the cramped foyer as burritos flew through the air and starved, studious students leaped for the free Felipe’s. “Party in Lamont,” as the Undergraduate Council labeled the event, was designed as a once-in-a-lifetime event: a suspension of the library’s normally staid...

Author: By The Crimson Staff, | Title: Fun In Lamont | 5/26/2006 | See Source »

...human head. By juxtaposing works like a Cycladic marble (ca. 3,000 B.C.) and Constantin Brancusi's stylized bronze Sleeping Muse (1910), pictured, the exhibit, which runs through Sept. 4, invites visitors to consider the head as the birthplace of thought, emotion and identity. Dominating the exhibit foyer is a giant sculpture, Cosmos (2001), by contemporary French artist Boris Achour. Made of dyed resin, the cartoonish noggin with protruding nose rotates in space while humming a Brazilian lambada; the sound evokes an artist contentedly at work and fills the lively, labyrinthine exhibit with creative energy. Other artists prefer to turn...

Author: /time Magazine | Title: A Heady Experience | 5/15/2006 | See Source »

...Dominating the exhibit foyer is a giant sculpture, Cosmos (2001), by contemporary French artist Boris Achour. Made of dyed resin, the cartoonish noggin with protruding nose rotates in space while humming a Brazilian lambada; the sound evokes an artist contentedly at work and fills the lively, labyrinthine exhibit with creative energy. Other artists prefer to turn their heads, well, on their heads. Sébastien Leclerc's 17th century engravings representing a range of emotions face off with an interactive portion of the exhibit in which children can assemble magnetic eyes, ears, noses and mouths on a wall to create...

Author: /time Magazine | Title: A Heady Experience | 5/9/2006 | See Source »

...overreacting, that it was just trying to ensure an orderly process. Because of an arcane parliamentary rule, journalists can stake out the third-floor Cabinet room only if the PMO announces that a meeting is about to take place. Instead the PMO wanted reporters to wait in the grand foyer one flight below, arguing that the larger space would be safer, would allow ministers who wanted to talk to the press more space to do so and would provide a better backdrop--the entrance to the House of Commons--for prime ministerial press conferences. "As long as Canadians can hear...

Author: /time Magazine | Title: Controlling The Message | 4/3/2006 | See Source »

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