Word: fra
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Dates: during 1950-1959
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Naples, though its slum alleys are still noisome and laundry festoons every tenement, no longer seems such a violent affront to its breathtaking setting. To the land of the Fra Angelicos and hand-painted Sicilian donkey carts has come the neon glare of modern living-billboards, Life Savers, Esso stations, Hopalong Cassidy, even a little TV. Venetian canals boast traffic lights, and only a lusty gondolier could raise his tenor above the gaseous snarl of motoscafi...
...great periods in history: Egyptian art back to 3,000 B.C., a richly-tooled gold funeral wreath from ancient Greece, a Chinese urn from the Han dynasty, a fine green glaze beaker from the 15th century Persia. In painting, Chillman stuck to such safe and sure old masters as Fra Angelico Bellini, Rembrandt, such French impressionists as Cézanne and Renoir, and a gallery of popular Americans from John Singer Sargent to Cowboy Artists Frederic Remington...
...birth. A children's choir sang. Nuns convoyed little girls in white dresses who sprinkled flowers where the scaffold once stood. At night, drummers in medieval costume led processions of torch-bearing students past the flower-decked plaque. Orated Mayor Giorgio la Pira, a Christian Democrat: "Fra Girolamo Savonarola characterized Florence . . . as a firm guardian of the spirit of political liberty and as an eternal expression of fraternity and loving-kindness between...
...evil that the people of Cassano did one Renaissance summer may not have lived after them, but it certainly mushroomed mightily for a while. What started it all was commonplace enough for an Italian city state of those Machiavellian times. The Grand Prince's political emissary, one Fra Agostino. had been stabbed to death, and in the Prince's own garden. The Prince, a handsome, subtle and benevolent tyrant, not only wanted to know who had done it but he wanted to know within three days...
...kind of auto-castration, and in so doing he has made himself sterile. The forms and colors with which he 'animates' his canvas can never link themselves to his visual experience; they can only express his visual imagination. That thrilling orgasm in which a Titian or a Fra Angelico can make the visible world his own and beget a work of art that combines the essence of himself with the essence of the place and the time he lives in, that miracle is denied him, and all he can offer in its place is his innocence, his celibacy...