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...panel's most distressing discovery was a stray steel chip, perhaps a burr from a screw, in an exhaust vent of the suit's oxygen supply system. If the fragment had been in the pure oxygen area and caused a spark (by hitting a wall, for example), it might have touched off a catastrophic flash fire, killing Lenoir and possibly ripping a fatal hole in Columbia's sides as well. In fact, a suit did catch fire in a test at Houston two years ago; fortunately no one was wearing it. It was so incinerated that...

Author: /time Magazine | Title: Space: Some Unsuitable Workmanship | 12/20/1982 | See Source »

...Wistar Institute reported that they had analyzed the piece of chromosome 8 involved in Burkitt's lymphoma. Both found that it contained a gene virtually identical to a cancer-causing gene isolated years earlier from a virus. The oncogene is located at the precise point where the fragment of chromosome 8 broke off. Thus the first link has been made between a known oncogene and an easily detectable change in the chromosomes of cancer patients...

Author: /time Magazine | Title: Medicine: Advances in the War on Cancer | 11/8/1982 | See Source »

...Louis, not far from Mark Twain's Mississippi River, Stanley Elkin once remarked that "the consummate salesman also needs a customer who doesn't want to buy." He was talking about inspiration and performance, the challenge of turning accessory into necessity. He was also offering a fragment of autobiography...

Author: /time Magazine | Title: Books: Birth of the Blue-Collar Blues | 11/1/1982 | See Source »

...have an appointment with her.'" The fragment is a throwaway, a trite meeting of Woman with Death. And the poem is only a description of two lovers meeting in the forest--the only energy is the contrast between the two kinds of meetings implied. Axinn has written a poem by gluing two vignettes together--and it is a small monument to confusion and disunity...

Author: By Naomi L. Pierce, | Title: Cloudy Verse | 10/13/1982 | See Source »

...retrospective of some 150 Avery oils and watercolors, organized by Barbara Haskell to open the Whitney Museum's fall season, can show only a fraction of this output. But it is a delectable fragment. It will also provide plenty of fuel for reassessment. Nobody could call Avery a neglected painter, but he did work against neglected painter, but he did work against the grain. In the '30s and '40s his Matissean aesthetic and his refusal to paint "social" subjects, whether of the left, like Ben Shahn, or of the right, like Thomas Hart Benton, made...

Author: /time Magazine | Title: Art: Milton Avery's Rich Fabric of Color | 9/27/1982 | See Source »

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