Word: fragmentism
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Three Conductors. The complexities of electronic composition are such that Stockhausen, although he works twelve hours a day, has completed only seven electronic compositions. He has also experimented with instrumental music, including his Piano Piece No. 11, which permits the pianist to play fragments in whatever order his eye falls on them but specifies that when he has played one fragment three times, the piece must end. Another Stockhausen experiment: Groups, a 20-minute work which calls for three orchestras playing simultaneously under three separate conductors. His work in progress: a piece for electronic and conventional instruments, which will allow...
Time v. Eternity. There is in this fragment Thoreau's reverence for Nature as a living Bible: "Nature is right, but man is straight. She erects no beams, she slants no rafters, and yet she builds stronger and truer than he." There is the mystical quest of the Absolute: "Speech is fractional, silence is integral." Thoreau early loathed the time-serving bondage in which he pictured most of his fellow men as trapped, leading lives of quiet desperation: "What is sacrificed to time is lost to eternity." Regarding newspaper-reading as a monstrous waste of time, Thoreau later played...
...liberalization did not achieve any of the objectives that Khrushchev had in mind. The carefully fostered image of a new, "reasonable" Russia weakened but did not fragment the Western alliance, nor did it win the Soviets any significant amount of new ground in the soft spots of Southeast Asia and the Middle East. It did not even persuade the cagey Tito to sign up again for full membership in "the camp of socialism...
...Rossini's next-to-last opera, "which would make the fortune not of one but of two or three operas." The melodic beauties are there in full measure, as this first recording of Le Comte demonstrates, but linked together they constitute not three operas but a splintered fragment of one. The work has some rich ensemble climaxes and some rippling solo parts, but after one and a half acts of inspired buffoonery about a predatory count and a lovesick countess, the opera degenerates into a downhill scramble toward a baldly telescoped ending. The sporadically brilliant music gets an adequate...
...this context it is clear that at least one reviewer is not very happy with either the fragments of William Palmer's novel "Coyahique," or Edgar de Bresson's story "Down There Where It's Beautiful." The fragments of the novel never achieve any coherence, nor do their baffling lack of focus suggest any very obvious truth about the South American revolution which they portray. De Bresson's story, on the other hand, is not a fragment, but rather an epitome of sickness, a suitable inside for the hideous color combination of the cover. It is not that the story...