Word: fragonards
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...himself: to reconcile classical and Renaissance models with the 18th century French painters he loved. To synthesize the force and clarity of classicism with the intimacy and charm of the Rococo is a nearly impossible trick. How do you cross the power of Phidias with the delicacy of Fragonard? The answer: at your own risk - especially the risk of admitting into your work the weaknesses of the Rococo. It's a fine line between charming and insipid, and 18th century French painters crossed it all the time. So did Renoir...
...thin as soap bubbles', just tight enough to create a sense of release when bursts of red or yellow pop them. You sense that this is the bouncing, eternal line of freedom and pleasure, one that traces back to the airborne arcs of those young women on swings in Fragonard...
...supermodels, each decked out as a vision of an artist who had somehow touched Christian Dior's life and spirit. Linda Evangelista in an evocative deep wine taffeta dress a la Caravaggio. Naomi Campbell inspired by Alma-Tadema. There was a pink confection that looked right out of a Fragonard, Amber Valetta in pale blue, a portrait of Renoir. Each dress more elaborate and evocative than the first. Galliano called it a Bal des Artistes, in keeping with Dior's great love of art and his friendships with artists like Jean Cocteau. For Galliano, it was also a celebration...
...villa) offers one of the most romantic walks in Europe. It winds through luxuriant wooded paths, natural grottoes and ancient ruins, and leads to a spectacular 120-m waterfall. The landscape, featuring 2nd century B.C. architecture, inspired such 17th and 18th century artists as Nicolas Poussin and Jean-Honor? Fragonard, and became a must-see stop on the Grand Tour. Later, Villa Gregoriana was admired as much for its role in averting floods as for its natural beauty...
...offers one of the most romantic walks in Europe. It winds through luxuriant wooded paths, natural grottoes and ancient ruins, and leads to a spectacular 120-m waterfall. The landscape, featuring 2nd century B.C. architecture, inspired such 17th and 18th century artists as Nicolas Poussin and Jean-Honoré Fragonard, and became a must-see stop on the Grand Tour. Later, Villa Gregoriana was admired as much for its role in averting floods as for its natural beauty. The flood-prone Aniene River washed away a good part of inhabited Tivoli in 1826, so Pope Gregory XVI, as sovereign...