Search Details

Word: frame (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

Showing life only in the first period, the Crimson pressed the game on B.C. ice for most of the frame and built up a two goal advantage. Dan DeMichele tallied on a set up by Joe Cavanagh, and Joel Baumgartner scored near the end of play on a pass from Lincoln Holmes...

Author: NO WRITER ATTRIBUTED | Title: Frosh Icemen Beaten; J.V.'s Tear Holy Cross | 2/8/1968 | See Source »

Suffering from poor timing as a result of exam period inactivity, the Crimson and B.C. traded mistakes for much of the frame. Harvard managed another tally at the midway point on Terry Driscoll's slap shot. Retaliating when the Yardling's were shorthanded, B.C. scored past substitute goalie Ted Rumsey...

Author: NO WRITER ATTRIBUTED | Title: Frosh Icemen Beaten; J.V.'s Tear Holy Cross | 2/8/1968 | See Source »

...third penalty of the night, a hook by Gordie Clarke at 9:28 of the final frame, set up Harvard's final tally. Sophomore defenseman Terry Flaman took a center from Mark and sent home a hard wrist shot from 40 feet out, straight...

Author: By Robert P. Marshall jr., | Title: Harvard Topples B.C. 6-4 in Beanpot; Crimson Will Meet Terriers for Title | 2/6/1968 | See Source »

...quickly varying lighting effects, and inadvertantly showing us less of Benjamin's emotions than we would see were the camera ten feet further away (a similar scene is done to perfection in Truffaut's Soft Skin); a scene shot through a diving mask and one with six frame inserts of Mrs. Robinson's naked body are obtrusively self-conscious, since nothing in previous scenes has prepared us for such technical gimmickry in isolated scenes...

Author: By Tim Hunter, | Title: The Graduate | 1/19/1968 | See Source »

...Hitchcock, plans his film as a totality, understanding instinctively how each shot relates to the film as a whole; a competent director of narrative films like Michael Curtiz (Casablanca) plans shots with relation to the entire scene. Nichols, however, cannot plan past a given shot, and although a frame may contain an effective gimmick, camera angle, or background detail, the scenes themselves are purposeless and disconnected, largely due to awkward and self-conscious editing...

Author: By Tim Hunter, | Title: The Graduate | 1/19/1968 | See Source »

Previous | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | Next