Word: frame
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
Some time in the all too near future the Radcliffe administration intends to tear down the frame houses which now stand between Garden Street and the Quad and to erect in their place a monumental concrete building designed to house three hundred students. In addition to destroying the grass in the Radcliffe area, this plan calls for the elimination of most if not all off campus living space...
...House, we are told, is to provide all the best features of off-campus living. The obstacles to this might to the untutored seem insurmountable: a concrete structure housing three hundred is fundamentally and unalterably different from a medium-size frame house. To deal with the size distinction, the Fourth House is to be broken down into units of forty to forty-five students, each equipped with common rooms and kitchenettes for student dinner parties. Even if a unit of forty-five did not provide an atmosphere close to that of the brick dormitories--the administration is relying...
Carmen D'Avino, 45, whose Pianissimo has been nominated for an Academy Award this year as best short subject, is a painter who learned cinematography as a photographer-historian during World War II. His films are painstaking creations in color, shot frame by frame, with meticulous painting done between shots. Pianissimo is about a player piano. The keys are all white. It starts to play. As each key hits a note it acquires a color as well, until the whole keyboard looks like a Mediterranean awning. D'Avino goes on coloring everything in sight, including the punched...
...natural sound effects, Bergman's virtuosity is awe-inspiring. The man plans every single element which enters the camera's field: nothing is superfluous. A horse cart moves slowly down a street and white-roofed cars pass it regularly, creating a subtle montage. Scene after scene of such frame making constitutes a first-class lesson in cinema as graphic...
They saw Nazi developments as "nothing more than a very complex political problems," with no moral implications. She noted "a deep seated fear of judging," to which all men were prey, that prevented many from discarding their given frame of moral references even in the light of contemporary events...