Word: frame
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Dates: during 1990-1999
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...with his 6-ft. 2-in., 230-lb. frame hunched in the backseat of a speeding Jeep Grand Cherokee, Fieger didn't seem in the mood to sit quietly through a holy event. It would only interrupt his nonstop rant about the shortcomings of his opponent, Republican incumbent John Engler. "He's a cheater, a liar and a coward," said Fieger. "He's a man of mediocre intelligence who's never done anything in life but suck off the public trough." The Engler camp, meanwhile, is clinging desperately to higher ground. "Fieger can roll in the mud by himself," says...
...sits at the heart of the Web and e-mail revolution. Internet protocol (generally called IP) is a language computers use to talk to one another: a hyperefficient chatter that lets phone-company machines banter by sending digital data "packets" back and forth. These packages can contain anything--a frame of video, a few lines of a fax or a split second of conversation. The computers don't care what kind of data they are moving, which makes for a faster, cheaper way to send information...
Only the insistent use of freeze-frame prevents this from being the most consistently attractive studio release in recent memory. The sense of slow motion is oddly timed, as when a short still interrupts some slight motion, the motion continues for three or four seconds, and then a newspaper photo of the new and different scene is plastered across Foley's vision and the screen. Fortunately, the frequent freeze-frame is less pervasive than the edgy, upbeat score, which adds at least as much to the general geniality of the movie as the cinematography...
...central figure in High Art is Syd (Radha Mitchell), a newly-promoted assistant editor at a modish New York photography magazine called *Frame*. Syd is a hard worker and has a keen eye, but because her superiors have yet to fill the intern position she vacated for her editorship, she is currently working absurd hours trying to do both jobs. Her boyfriend Steve (Gabriel Mann) laments what he considers her exploitation by the *Frame* staff, but Syd, confident that her dedication will push her up through the editorial ranks, has no complaints. "I'm trying to stick...
...performance in the depth and movement of her eyes, a savvy decision when playing a top-flight photographer, but also an apt register of how carefully Lucy tries to be in negotiating the re-entry into fame that Syd had mapped out for her in the pages of Frame. Is Syd romancing Lucy merely to secure a career coup, or is it vice versa--the magazine deal as an attractive bait for what is fundamentally an erotic seduction...