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Word: framed (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Despite his brobdingnagian frame (6 ft. 7 in., 240 lbs.), his ever present cigar and his gravelly bass voice, Paul Volcker is a man who likes to keep a low profile, to perform his financial wizardry as a bureaucratic technician rather than as a public figure. But such behind-the-scenes machinations have their frustrations. One night, after an International Monetary Fund meeting in Copenhagen, Volcker was so exasperated with his colleagues that he strode down to the Tivoli Gardens and proceeded to throw wooden balls in a booth full of china plates until he had smashed away his tension...

Author: /time Magazine | Title: Nation: Volcker to the Rescue | 8/6/1979 | See Source »

...Monetary Affairs, were chiefly with the French. But the French have also found ways to be accommodating. When Volcker stays in Paris, the Crillon Hotel installs the bed that was specially made for a famous 6-ft., 4-in. guest: General Charles de Gaulle. No other will hold the frame of the 51-year-old banker from New Jersey...

Author: /time Magazine | Title: Nation: Volcker to the Rescue | 8/6/1979 | See Source »

LIVING IN THE MANIOTOTO by Janet Frame; Braziller; 240 pages...

Author: /time Magazine | Title: Books: The Diary of a Mad Widow | 8/6/1979 | See Source »

...many strange and illuminating episodes in Janet Frame's tenth novel concerns an Englishman's experiment with truth-seeking in the desert. He chooses a simmering patch of wasteland east of Berkeley, Calif., and in a few hours discovers that his dry run is the real thing. As he waits under a road sign for his wife to return, a jackrabbit bounds into his shadow to cool off. This is followed by three rapid epiphanies. First, that his life was a gift to himself and others and that even his share of sunlight and shadow did not belong...

Author: /time Magazine | Title: Books: The Diary of a Mad Widow | 8/6/1979 | See Source »

...foreground, and massive, Gothic, bat-like sets or magical, panoramic English cliffs and countrysides in the background. The bulk of the action occurs inbetween, and Badham reaches it by cutting rapidly or tracking or literally walking up to it, camera jiggling subjectively. Very little happens outside the frame, so we rarely worry about what we can't see, only about how vivid and nauseating what we are about to see will...

Author: By David B. Edelstein, | Title: Staking the Wild Vampire | 7/31/1979 | See Source »

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