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Within this framework, the movie tends to toggle between two settings: hilariously broad comedy and hypnotically surreal action sequences. The former is what garnered the film’s fame in the East, and such acclaim is deserved. The characters are easily recognizable archetypes—from the tough-as-nails Landlady (Qiu Yuen) and her drunken, bumbling husband (Wah Yuen) to the sadistic, moustache-twirling mastermind (Kwok Kuen Chan)—and every actor milks them for all they’re worth...

Author: By Abe J. Riesman, CONTRIBUTING WRITER | Title: Movie Review: Kung Fu Hustle | 4/22/2005 | See Source »

...found (well, mostly lost). The group followed this cover with a beautiful, shuffling version of pre-bluegrass classic “Happy In Prison,” Oldham and Sweeney singing, “For a cross receive a crown,” tying religion into the lyrical framework (as Bonnie himself often does), blurring listeners’ conception of who he is and what he stands...

Author: By Henry M. Cowles, CONTRIBUTING WRITER | Title: Oldham Unleashes ‘Wolf’ at MFA | 4/22/2005 | See Source »

...most importantly, we generally support the progressive views that tend to lie in the overlap of many of HSF’s member groups, and we strongly support HSF’s mission to provide a framework for organizations that advance these goals. Ultimately, it is the choice of the College Democrats to decide whether to quit the HSF, and they should not be subject to outside pressure. But regardless of the Dems’ decision, we wish to see the HSF continue to provide the sturdy base necessary for progressive politics to flourish on Harvard’s campus...

Author: By The Crimson Staff, CRIMSON STAFF WRITER | Title: HRC Dost Protest Too Much | 4/20/2005 | See Source »

...last week, two important premieres demonstrated just how potent eclecticism can be. John Eaton's The Tempest, with a libretto after Shakespeare by Music Critic Andrew Porter of The New Yorker, is a rich blend of Renaissance music, jazz and electronics that is surrounded by an uncompromisingly modernist microtonal framework. Another happily eclectic work, Hans Werner Henze's The English Cat, takes an anthropomorphic tale by English Playwright Edward Bond, based on Balzac, and sets it to music that freely ranges from kitschy consonance to acerbic dissonance. Both operas have the kind of unquestioned stylistic integrity that bespeaks major works...

Author: /time Magazine | Title: Music: When the Style Is No Style | 4/18/2005 | See Source »

...unofficial stock market in 1982 badly undermined confidence, and repercussions continue to be felt. Finally, Western bankers will be leery about doing business there until legal uncertainties are clarified. A British lawyer working in Bahrain points out that it took the West nearly 300 years to develop a legal framework for banking. Arab bankers are making great progress, but more must be done before they will have a modern financial structure. --By Gordon M. Henry. Reported by Aileen Keating/Bahrain

Author: /time Magazine | Title: Gulf of Woes: Banks decline and fall | 4/18/2005 | See Source »

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