Word: framing
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...which rightfully ends up stealing the spotlight. Former Graduate School of Design professor William Wainwright’s “Never Green Tree” is a unique and innovative fusion of art and science. It features dozens of cubic aluminium leaves, hanging from the steel frame, with prismatic surfaces that deflect the light into a rapidly changing pattern of color reminiscent of being under the disco ball at a club...
...newest exhibition at the Carpenter Center for the Visual Arts, “Frame by Frame: Animated at Harvard”—which runs through February 14—displays an entirely different kind of animation than movie theaters frequently feature. The show explores Harvard’s intriguing and largely untold history with animated film, beginning with the Visual and Environmental Studies Department’s first forays into the field in the mid-1960s and ending with student projects from as recently as last year. This animation timeline showcases a variety of films that have rigorously...
...main room of “Frame by Frame” is dominated by a rolling loop of Harvard’s first and most important efforts in animation. Renowned animator Eli F. Noyes ’64 made the earliest film on this loop, “Clay or the Origin of Species,” when he was a senior at Harvard. The film, which is one of the first animated movies to use clay and went on to receive the Academy Award nomination for Best Animated Short Subject, features charming clay imaginings of early forms of life...
Despite the scholarly bent of “Frame by Frame,” a few families were in attendance. Cambridge mother Alix Kepner had taken her nine year-old daughter Gemma to see the exhibition. “We’re big Pixar fans,” explained Kepner when asked about what had brought them to the Carpenter Center. Talking about her favorite film, “Going Up,” Gemma said, “I liked the script.” When her mother commented that the film in question did not feature...
...minute after McNeely’s tally, Harvard senior Ian Tallett drew an interference penalty that extended to the beginning of the second frame...