Word: framing
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...first frame of the Harvard women’s basketball team’s matchup against St. John’s last night in the opening round of the National Invitational Tournament (NIT), the Crimson kept pace with its Big East opponent, trading shots and leads with the Red Storm to hit the locker room down by just three points...
...Core class professors to continue with their carefully cultivated courses, and Calareso said she is unsure how many future Gen Ed proposals will be entirely new. “We certainly would like new courses but recognize that it could be difficult to do within the short time frame,” Calareso said. She added that the committee should soon be seeing proposals coming out of graduate seminars, which were designed to develop courses for the General Education program. —Staff writer Rachel A. Stark can be reached at rstark@fas.harvard.edu...
...human being and as a filmmaker.While Varda’s work is diverse and prolific, ranging from feature films and documentaries to short chronicles of her daily life, to installation pieces, Varda recognizes the importance of her humanity, of leaving some parts of the world out of the frame. “I’m not a maniac with a camera,” Varda said.“People know that I work out of affection, empathy and love,” she continued. “This is not fake. I’m interested in people...
...Beverly Hills company called Real D took the lead on the theater side. It leases out a kind of digital shutter system that sits in front of digital projectors, alternating the two views of each frame 144 times per sec.--fast enough to achieve stereovision. The new system uses polarization, rather than color-coding. Gone are the completely cheesy cardboard glasses, replaced with slightly less cheesy disposable plastic-frame glasses that have gray lenses. "Someday," predicts Katzenberg, "people will buy their own movie glasses, which they'll take to the movies--like people have their own tennis rackets...
...animator, Kentridge is a deliberate primitive. He makes his films by the painstaking process of drawing and erasing individual images, always on one sheet of paper, not successive sheets, so that the smudges and wipes survive from frame to frame and the images don't so much move as morph forward with bumps and stutters, the way they do in Claymation. Nothing could be further removed from the diamonds and stainless steel of the boom years. It's a style, poignant in its very crudeness, that by its simplicity confers instant legitimacy on Kentridge and his work...