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Word: framings (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

None of these slaughters, the first two narrowly averted by the fortunate swift collapse of the enemy, could have been contemplated if the politicians had been compelled to frame their strategic planning around the capabilities of forces raised from volunteers...

Author: NO WRITER ATTRIBUTED | Title: Draft | 2/20/1980 | See Source »

Harvard's best opportunity to score in the opening frame came when Tigers Todd Hewitt and Grant Hansen slunk to the penalty box together at 16:50 to serve two minutes each for slashing and hooking, respectively...

Author: By Bruce Schoenfeld, | Title: Icemen Swamp Princeton, 5-1 | 2/14/1980 | See Source »

Wanda has spent all her life in Hamtramck, which is surrounded entirely by the city of Detroit. Except during the war, she has always lived upstairs in the two-family, white frame house her immigrant parents bought for $7,000 in 1921. Since her husband died 16 years ago, and her father, Roman Lyjak, who worked as a body finisher at Dodge Main before her, died in 1969, Wanda has lived alone upstairs. Her mother, 82, lives downstairs. Wanda's brother, an inspector at Chrysler's Jefferson Avenue plant, comes around to help with the house. Many...

Author: /time Magazine | Title: In Michigan: Goodbye, Dodge Main | 2/11/1980 | See Source »

Though they have covered many odd, speculative spots in the universe, most of Ursula Le Guin's 19 books were conceived and written in one place: an 80-year-old four-story frame house perched on the west bank of the Willamette River in Portland, Ore. The rooms are large, the furniture casual, obviously lived-and lounged-in by the three Le Guin children, who grew up there: Elisabeth, 22, Caroline, 20, and Theodore, 15. An occasional antique betrays an interest in the past; Charles Le Guin, Ursula's husband of 26 years, teaches history at Portland State...

Author: /time Magazine | Title: Books: Worlds Enough and Time | 2/11/1980 | See Source »

...film's emphasis, however, is too often elsewhere. Much of the plot revolves around an attempt to frame Julian for a particularly unpleasant sadomasochistic murder. Hector Elizondo is fine as the detective investigating the case, and Julian's attempts to clear himself allow Writer-Director Paul Schrader to penetrate the seamier side of a gigolo's world. Hollywood Boulevard garishness is colorfully contrasted with Rodeo Drive posh. But as in last year's Hardcore, Schrader seems unable to get very far beneath the ugly surface of the demimonde. It is clear he is horrified...

Author: /time Magazine | Title: Cinema: Pinkeye | 2/11/1980 | See Source »

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