Word: framings
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...struck first on a man-up goal just under five minutes into the game. Determined to keep pace, the Crimson battled back with goals from Gibbons, rookie Terry White, and co-captain Max Motschwiller to put three on the board and take a 3-2 lead into the second frame. “Lacrosse is a game of ebbs and flows, and we call it the first punch,” Smith said. “If you throw the first one, it makes a big difference, sets the tone. That’s been an emphasis...
...Eagles tied the score on a sacrifice fly in the bottom of the frame, and chased Hofeld before he could record an out in the fifth. As Harvard brought in a slew of relievers to preserve the weekend rotation, the squad found itself at the mercy of a BC offense that has averaged nearly eight runs a game this season...
...away from a share of the league title, the Crimson remained relentless in the fourth frame. Despite getting in a 12-12 tie early on, Harvard took the lead for good after a kill to the right corner by Kuld put the team up, 22-17. A light tap by Jones to center court gave the Crimson its fifth straight win and the playoff spot Harvard had been gunning for since the beginning of the season...
...pitcher Dana Roberts helped her own cause by fielding her position well. Roberts, on a comebacker to the mound, threw home to retire the unforced runner from third base that was trying to score.It looked as if the Crimson might even up the score in the bottom of the frame, as junior Jessica Pledger, who is also a Crimson photographer, led off with a double. A bunt by Vertovez advanced Pledger to third base, but Harvard was unable to bring her around.In the third inning, Yale loaded the bases with one out, which forced Roberts from the game. Coach Jenny...
...that opens the exhibition juxtaposes a Titian canvas with an earlier Bellini panel of a similar scene, a virgin surrounded by saints. The smooth surface of the polished wood panel and the carefully hidden brushstrokes give the Bellini its placidly silken, liquid surface, and even its painted and columned frame recalls the Italian High Renaissance; but the rougher surface of the canvas seems to free Titian to make visible his brushwork and lend his gilt-framed work a subdued and textured frisson. Titian dominates this first room of the exhibition, and his remarkable portrait of Pope Paul III introduces...