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...seniors in the Iota Chapter are: Phoebe A. Cushman; Leemore S. Dafny; Francesca B. Delbanco; Sadhana Dhruvakumar; Tanya L. Fenmore; Joan C. Han; Nadia A. Herman; Natalie F. Holt...

Author: By Haider A. Shirazi, | Title: Phi Beta Kappa Chooses New Members | 11/16/1994 | See Source »

...Francesca E. Bosco '98 worries about her father, who recently suffered a heart attack. She would like to hear from home, but despite promises from the phone office, the phone in her Canaday E room still isn't ringing...

Author: By H. NICOLE Lee, | Title: Telephone Troubles Plague First-Years | 9/14/1994 | See Source »

...group of tight-faced suburban matrons discuss their plastic surgery. ("Was it painful?" "No, darling, it was Silverman.") A women's book club meets every week to discuss the same novel, The Bridges of Madison County. The group's leader has restyled her hair and wardrobe to look like Francesca, the farm wife who has a torrid affair in the book with a magazine photographer. The others are just as far gone. "You know, I've searched through over a hundred copies of National Geographic, and I cannot find a Robert Kincaid photograph for the life of me," says...

Author: /time Magazine | Title: TELEVISION: She Who Laughs Last ... | 9/12/1994 | See Source »

Holding everything together is Belinda, played by Francesca Delbanco, the mother hen and company gossip. Delbanco's exaggerated facial expression seem slightly overdone it the first act, but serve her well in the second as the action moves to pantomime. Her clever miming allowed the audience to catch every word--and say it aloud for her. By the third act, Belinda is trying to lead the company out of the woods, improvising for the mentally and verbally challenged. Delbanco's gives a perfectly outrageous delivery of Belinda's efforts, summing up an entire scene by announcing loudly to the audience...

Author: By Sorelle B. Braun, | Title: 'Noises' On | 8/19/1994 | See Source »

...arts organizations. In the past few years, however, a string of important and popular new works by composers as disparate as John Corigliano, Philip Glass and William Bolcom has helped improve opera's artistic fortunes. At the same time, audacious native-born stage directors like Peter Sellars and Francesca Zambello have replaced the old histrionic semaphoring with bold, psychologically penetrating productions starring fine singing actors like June Anderson and James Morris...

Author: /time Magazine | Title: Making Opera Pay, the Chicago Way | 2/7/1994 | See Source »

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