Word: francescas
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...brighter note are Jacob Broder as Costard and Francesca Delbanco as Boyet, the Princess' chamberlain. Costard is a classic Shakespearean clown who counteracts the pretentious nobility by his own plain speaking. Broder's enthusiasm is infectious and he gets more laughs than anyone else in the show. Broder even pulls off a rather contrived time warp joke that could easily have flopped. Boyet is one of the few mature characters in the play and Uphoff (who doubles as her own costume designer) stresses this by contrasting Boyet's formal suits with the other women's hippie attire. Delbanco does...
...program note to her startling, macabre -- and, on opening night, lustily booed -- new production of Donizetti's Lucia di Lammermoor at the Metropolitan Opera, Francesca Zambello cites as inspiration the gloomy tales of Edgar Allan Poe and the brooding landscapes of Caspar David Friedrich, both contemporaries of the composer. Maybe. But those with an eye for contemporary culture -- and the weekly grosses of Francis Ford Coppola's latest film in Variety -- can see that the real influence is one Mr. Zeitgeist. The Bride of Dracula, anybody...
...Amadeus, specializes in ironic, self-deprecating intelligence that ought to meet that modest goal. But in a hokey production all too typical of Washington's Shakespeare Theater, Hulce fails to make the words sound sincere and obscures the political and revenge narratives with muddling about real-or-feigned madness. Francesca Buller comes as close as anyone can to bringing off Ophelia's breakdown, and Franchelle Stewart Dorn provocatively sketches a Gertrude who senses her new husband's perfidy -- yet succumbs anyway...
...Francesca Delbanco was a superb Cecily, presenting just the right mixture of child-like innocence and teenage romance. Janine Poreba was also entertaining as Gwendolen, although her accent was rather precarious at times...
Picasso's pre-cubist phase where he concentrated on destroying a priori space is evident here, as it was in the Matisses. A Priori space is the conventional three-dimensional, perspectively accurate depiction of depth that originated with Giotto and Pierro Della Francesca in the Renaissance...