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...plan the campaign for Slow Food Harvard, a new group that aims to promote sustainable eating habits among students.“It’s a cause that people come at from the environmental side, from a gourmet side, from a labor side,” said founder Francesca T. Gilberti ’10, who is also a Crimson magazine editor. “It’s all-inclusive.”LOCAVORES UNITEPopularized as the “locavore” movement, the trend of buying local has swept the nation over the past several years...

Author: By Cora K. Currier and Athena Y. Jiang, CONTRIBUTING WRITERSS | Title: ‘Locavore’ Trend Picks Up on Campus | 12/3/2007 | See Source »

...plot thickens when... actually, it doesn’t really matter. Yes, things get complicated with the entrances of the Mikado (Jonathan M. Roberts ’09), ruler of Japan, and Nanki-Poo’s previous fiancée Katisha (Francesca S. Serritella ’08). But for the most part, the plot is just an excuse for a series of songs that serve as the show’s real centerpiece. The show devotes more energy to introducing a bevy of singing schoolgirls than in settling the fates of the characters...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: 'The Mikado' Makes For Good Fun | 12/3/2007 | See Source »

...looks, but it also depends on what they’re buying,” said Cardullo’s cashier Francesca A. Vitale. “A person who is buying an expensive bottle of wine, instead of vodka, is less likely to be underage...

Author: By Natasha S. Whitney, CONTRIBUTING WRITER | Title: City To Increase Alcohol Oversight | 11/9/2007 | See Source »

...scoops ice cream, and 1 cup of milk. 6. Dessert Panini Take two slices of bread and place peanut butter, honey, cinnamon, sugar, and marshmallows between them. Place on the panini grill for about 45 seconds, and then top off with whipped cream or frozen yogurt. Concepts courtesy of Francesca T. Gilberti ’10, a Crimson magazine editor, and Rachel A. Strauss ’09, a Crimson photographer...

Author: NO WRITER ATTRIBUTED | Title: The Ultimate Snacky Snack! | 9/26/2007 | See Source »

...could have argued that the film proceeded so slowly because every image was so beautifully composed, so full of visual drama, that it was worth contemplating as one would a Piero della Francesca portrait. The dimensions of the movie screen, Antonioni suggested, have less in common with the stage proscenium than with the frame of a painting. Films are pictures on a wall, and Antonioni was one of the first directors working within the commercial cinema to make museum movies. One didn't watch his films so much as gaze at them - at a duration determined...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

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