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Word: franchot (lookup in dictionary) (lookup stats)
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Groups of Phillips Brooks House volunteer workers will spend their Thanks-giving entertaining underprivileged children, Franchot A. Golub '57, Chairman of the Speakers and Entertainment Committee, said last night...

Author: NO WRITER ATTRIBUTED | Title: P.B.H. Will Present Shows for Holiday | 11/24/1954 | See Source »

...self-conscious Catherine Sloper in The Heiress. The dozen male actors had a fine time on Studio One's Twelve Angry Men. The play, by Reginald Rose, started out with an old idea (what happens in a jury room) but turned it into a crisp and exciting melodrama. Franchot Tone got a baleful malevolence into his part as a juryman determined on hanging the defendant, while Robert Cummings was bland and believable as the juror who changes everyone's mind. Among the others, Walter Abel, Edward Arnold, John Beal and Paul Hartman played interesting variations on the theme...

Author: /time Magazine | Title: Radio: Review of the Week | 10/4/1954 | See Source »

Studio One (Mon. 10 p.m., CBS). Twelve Angry Men, a jury-room drama with Robert Cummings, Franchot Tone, John Beal, Paul Hartman, Edward Arnold, Walter Abel...

Author: /time Magazine | Title: TELEVISION: Program Preview, Sep. 20, 1954 | 9/20/1954 | See Source »

Cinemactor Franchot Tone, 49, whose Phi Beta Kappa key failed to ward off the rude fisticuffs of husky Cinemug Tom Neal in their brawl over the fickle favors of Cineminx Barbara Payton three years ago, settled out of court with Lloyds of London, accepted $17,500 insurance for his clobbering. In reply to Tone's original $63,666,66 suit, Lloyds claimed, in effect, that he had displayed indiscreet valor by provoking Neal, then by sticking his hitherto unmarred face in the way of Big Tom's flying knuckles...

Author: /time Magazine | Title: People, Aug. 30, 1954 | 8/30/1954 | See Source »

...borrowed, quite a lot of amusing stage business. Betsy von Furstenberg shines as the amoral Eve who wants to settle down without settling up; Hollywood's Gig Young persuasively proves that the breakdown of modern society began with Ibsen's A Doll's House, and Franchot Tone-though cut from pure theatrical cardboard-nevertheless acts with sufficient weight to hold the farce in place on the stage...

Author: /time Magazine | Title: Education: New Plays in Manhattan, Dec. 28, 1953 | 12/28/1953 | See Source »

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