Word: francisbaconcolor
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Dates: during 1970-1979
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...together in a confusion of people, images, anguish, sex, written words, emotions-in a word, modern western culture. In part this opening credits sequence challenges (in a laughable sort of way) the truth of a film's assertions: "color by Technicolor" is followed by a picture certainly painted in FrancisBaconColor (here, of course, it is in Technicolor); "paintings by Jim Dine" precedes the work of an Italian several centuries dead. More importantly, the sequence creates a continuum of the manmade, the cultural, the imagistic, the signifying and thus sets a direction for the rest of the film...
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