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Pescosolido Professor of Romance Languages and Literatures Franco Fido says he can buy Italian books for half the price in his native Italy. But Fido adds that Schoenhof's must charge these prices to survive financially...

Author: By Jenny E. Heller, | Title: Schoenhof's Brings the World to the Square | 3/4/1998 | See Source »

...death of Chilean leader Salvador Allende, the rise of the Sandanistas in Nicaragua, the future of Spain after Franco and the urgency of divestment from South Africa were recurring subjects of coverage...

Author: By Jacqueline A. Newmyer, CRIMSON STAFF WRITER | Title: Politics Always a Part of Crimson Editors' Consciences, Consciousness | 1/24/1998 | See Source »

...genially subversive Franco-Belgian Ma Vie en Rose, the town where Ludo and his family live is cheerily color-coordinated (each garage door is painted a different pastel), but the emotions that the boy's cross-dressing provokes are darker. Everyone goes instantly agog. Wives scold; husbands threaten. Schoolboys turn into bullies, ready to take the natural law into their own hands. The film, directed by Alain Berliner from an original script by Chris vander Stappen, has the scheme of a socially fretful TV movie. Yet at heart, Ma Vie en Rose is a delightful comedy, both in its buoyant...

Author: /time Magazine | Title: Cinema: Short Takes: Ma Vie En Rose | 1/12/1998 | See Source »

Garcia Lorca also had ambitions to preform and revitalize the Spanish dramatic tradition. Unfortunately, the themes that his lyrical dramatic works treated--questioning the structures of patriarchy, religious authority, sexuality and social convention--were considered too subversive by the national authorities, the Fascist government of Francisco Franco. In August of 1936, Garcia Lorca was dragged into a field and murdered by Franco's agents, his body dumped into an unmarked grave...

Author: By Y. SUSANNAH R. mandel, CRIMSON STAFF WRITER | Title: Dark, Small Magic in a Quiet Space | 11/14/1997 | See Source »

Such was the scenario last Friday at Paradise Rock Club, where the Franco-Anglo melodymakers Stereolab graced the karmic stage playing to a capacity crowd. Whereas Damon Albarn and company may get jeers from Gallagher acolytes between sets, and Jarvis Cocker has lingerie (new and apparently used) thrown at him mid-verse, only the progenitors of what has been called "silver-suited amorphous future-pop" would receive such a foolhardy request to enter their privileged world of audio experimentation...

Author: By Shaw Y. Chen, CRIMSON STAFF WRITER | Title: This Is the Future | 11/14/1997 | See Source »

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