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Word: franked (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Frank Church...

Author: /time Magazine | Title: Letters, Jul. 10, 1978 | 7/10/1978 | See Source »

Then he paused for a moment and remarked in a way that seemed uncommonly frank: "You know, I think, to be perfectly honest about it, successes have not yet been notable. We have made some progress in the Middle East, on SALT, on energy, only relative success. But I don't have any reticence about addressing these inherently difficult issues. I don't fear a rebuff or a defeat so much that I am afraid to try. It would have been a devastating blow to me politically and to my image as a leader had the Senate rejected...

Author: /time Magazine | Title: Nation: An Interview with the President | 7/10/1978 | See Source »

...while the Government eliminated 700 forms last year, it added 300 new ones. Warned Republican Congressman Frank Horton of New York: "The forms are like weeds. You cut them down, but they keep growing back...

Author: /time Magazine | Title: Nation: Paper Chase | 7/10/1978 | See Source »

...Frank's is an art of subject matter. And its basic subject ? the sensation of inhabiting a body whose surface is enveloped by air, water or earth ? is put before us allusively. In the exhibition of some 140 works that runs through the summer at the Neuberger Museum in Purchase, N.Y., most of the pieces are figures or heads. But they are complex, swathed in images of metamorphosis. One of Frank's recurrent themes from classical mythology is that of Daphne, the daughter of a river god; pursued by an amorous Apollo, she turned into a laurel tree...

Author: /time Magazine | Title: Art: Images off Metamorphosis | 7/10/1978 | See Source »

This process begins with Frank's preferred material, clay. Her larger recumbent figures, like Lovers, 1974, are pieced together from a dozen separate elements, each made of a clay sheet fired in the kiln. The manipulated sheet, rather than the solid lump, is the basis of her formal syntax. The clay can be molded. It sags in pleats and thick drapes. It can be rapidly scratched, poked and cut. It retains an air of spontaneity, for Frank knows where to leave a shape before it loses its sketchlike character. Harder sculptural materials, like wood, metal or stone, connote resistance...

Author: /time Magazine | Title: Art: Images off Metamorphosis | 7/10/1978 | See Source »

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