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Word: franked (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Frank Wylie, Director-Public Relations Sales and Marketing, Chrysler Corp...

Author: /time Magazine | Title: Letters, Aug. 6, 1979 | 8/6/1979 | See Source »

...FIRST FIVE MINUTES of the new Dracula, Frank Langella literally rips out a man's throat, and you know nobody's gonna pull no punches this time. Let the tide of bloody dead babies commence: let there be impalings, gougings, slashings, stakings, necks broken with an appetizing CRRRUNNCHH in Dolby stereo, John Williams conducting the London Symphony Orchestra, repeating the same goddamned nine-note musical motif like a lobotomized organ grinder, bats tearing faces and crucifixes burning the flesh of latex-scarred vampirellas. "It's a love story," explained Frank Langella...

Author: By David B. Edelstein, | Title: Staking the Wild Vampire | 7/31/1979 | See Source »

Well, poor Frank seemed at odds with director John Badham (Saturday Night Fever) from the beginning--"What do you need blood and gore for? You've got me. What do you need other actors for?" But he was overruled, and as technicians plastered the sets with spider webs, large rodents and decaying corpses, Langella retired to his dressing room with his Barry Manilow and Kiss records "to put me in the mood for the love scenes...

Author: By David B. Edelstein, | Title: Staking the Wild Vampire | 7/31/1979 | See Source »

...sets, which reduced the play to the dimensions of cardboard. The most effective scene in the production--even though it was completely inconsistent with the tone of a 30's movie--was an erotic, sado-masochistic seduction of the ingenue by Count Dracula. The production had one indisputable asset: Frank Langella, the most endearing, cuddlesome teddy-bear Dracula ever to pierce a jugular...

Author: By David B. Edelstein, | Title: Staking the Wild Vampire | 7/31/1979 | See Source »

Certainly a contender, if not the outright champ, for terminal indecision is Frank Capra's Meet John Doe (1941), starring Gary Cooper. Five endings were shot; at one point, three were previewing simultaneously in different towns. Another classic case was Casablanca. Until the very end, the script remained refreshingly free of any ending whatever. No one knew whether lisa Lund (Ingrid Bergman) would stay in Casablanca with Rick (Humphrey Bogart) or leave with her husband (Paul Henreid). The production took on a kind of war-zone chaos, with scenes filmed as fast as writers typed them. When...

Author: /time Magazine | Title: Show Business: Playing the End Game | 7/30/1979 | See Source »

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