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That Reston was genuinely liked, rather than resented, was due in part to another organizational trait: his eye for and generosity to new talent. He helped bring to the Times a stunning array of young journalists: Russell Baker, Tom Wicker, David Halberstam, Max Frankel and Anthony Lewis. His proteges, Stacks says, retained a purer affection for him than did his sons, for whom his work left less time...

Author: /time Magazine | Title: The Prince of Print | 1/13/2003 | See Source »

...Frankel called the show “four hours of mechanical torture...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: From Hilles Elevator to the ART | 1/10/2003 | See Source »

Crimson reviewer David M. Frankel ’81 wrote, “Peter Sellars has balls. His King Lear drives Shakespeare’s poetry to a North Hollywood parking lot, yanks it from the back seat stabs it helter skelter while the gods guffaw...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: From Hilles Elevator to the ART | 1/10/2003 | See Source »

...Frankel was less than impressed...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: From Hilles Elevator to the ART | 1/10/2003 | See Source »

...disturbing whine of steel cellos.” Four television sets showed everything from the results of the New Hampshire primary to Ajax commercials, Polaroid cameras flashed and the audience was blinded with spotlights “until [their] eyes tear or shut,” according to Frankel...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: From Hilles Elevator to the ART | 1/10/2003 | See Source »

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