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...them in the brain. Whatever happens," he says, "it will be exciting." Notes New York University Neurologist Abraham Lieberman, who will assist in N.Y.U.'s first adrenal-cell transplant this week: "Five years ago, when you talked about brain transplantation, you were talking about Boris Karloff and Frankenstein. Today it's no longer science fiction...

Author: /time Magazine | Title: Medicine: Steps Toward a Brave New World | 7/13/1987 | See Source »

JOHNSON'S OWN feminist revisions of deconstructionism, meanwhile, take up where deMan left off in trying to rethink the implications of literary history for hermeneutics. Nowhere is this radical project illustrated better than in the humorous and ingenious, "My Monster/My Self", in which Mary Shelley's Frankenstein is read as an autobiographical confession of maternal rejection. The literary monster is analyzed as product of "a single parent household," the unwanted brainchild of a mad (pro)creator, who in childhood was abandoned by her own mother...

Author: By Hein Kim, | Title: The Hubris of Reading | 5/20/1987 | See Source »

...that Byron (Gabriel Byrne) spent with his mistress Claire Clairmont (Myriam Cyr), his lover John William Polidori (Timothy Spall), his friend Percy Bysshe Shelley (Julian Sands) and Shelley's wife-to-be Mary Godwin (Natasha Richardson). From that spectral evening emerged Mary's idea for her novel Frankenstein...

Author: /time Magazine | Title: Cinema: Still Crazy After All These Fears | 4/20/1987 | See Source »

...Frankenstein was a modern horror story; Russell means Gothic to be the last horror show. Byron is Count Dracula, feeding on his guests' dreams and demons. Shelley is every weak hero, Polidori every mad doctor, Clairmont every wench whose lust turns her into a succubus. And Godwin, racked by visions of her stillborn child, becomes the cursed mothers of The Exorcist and Rosemary's Baby. From the labor of her nightmares, she gives birth to literature's most enduring monster...

Author: /time Magazine | Title: Cinema: Still Crazy After All These Fears | 4/20/1987 | See Source »

Such an all-encompassing enterprise, composed of pieces that don't quite fit together, was bound to become a Frankenstein monster with multiple personalities. Altogether, there were 44 award categories, representing everyone from Brother Blue to Bim Skala Bim, from the obscure to the nationally famous, from singles to albums to videos, from folk to country to jazz to reggae to rock to hardcore...

Author: By Gary L. Susman, | Title: From Grammies to Bammies to Hubbies | 4/18/1987 | See Source »

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