Word: frankieã
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...musically or in theater,” he says. “Having a forum to produce or reproduce these types of cultural expression within the black community at Harvard is very important.” In a 1999 Crimson Arts exposé, Francesca J. “Frankie?? Petrosino ’02 delved into the lack of ethnic diversity in the theater community. Fred Hood ’02, who directed “The Importance of Being Earnest” that year, felt minorities were unrealistic in their expectation of color-blind casting...
...workers, Saldana was “Frankie??: an easy-going charmer with a palpable drive to succeed...
...first crush, the female character Frankie, was mysteriously murdered before anything developed. A second infatuation with Frankie??s twin, Maggie, ended with unrequited love when Maggie announced that she was “into guys...
...driving solo that got the previously staid audience vibrating in their seats. The pianist—playing on a Yamaha with a sound as bright as its polished finish—thumped out a series of chromatic arpeggios that got the audience pumping. But the peak was naturally Frankie??s sharp and tuneful playing that served to spike the cocktail and got the audience dancing. Not letting the pace lag, they moved into the universal funk favorite, Herbie Hancock’s “Chameleon.” Here the other half of the rhythm section came...
...Frankie??s guitarist on this particular night, Bruce Bartlett, is a well known commodity in Boston circles. He holds court regularly at Ryles, and in doing so has been elevated to mythic musical status. Whether seamlessly integrating Frankie V’s spontaneous melodies into his own supple chord-building or cheekily paying homage to arena rock in the club’s small confines, Bartlett was the rhythm section rock on which Frankie was able to build great flights of fancy. Pianist Israel Tannenbaum played an almost ironic performance, leaping up and down the keyboard in vertical...