Word: franklies
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...adding three assists, two blocks and three steals. “If you look at his stat line tonight, it’s a Matt Stehle [‘06] stat line—he’s got numbers in every column,” said Harvard coach Frank Sullivan, referencing the graduated two-time First-Team All-Ivy forward who led the Crimson in points, rebounds, steals, and blocks last year. “For Evan, in his sophomore year, to bounce back like that in an Ivy League weekend on Saturday night is special...
...Lavietes Pavilion hungry for a win after losing three of their first four league games, and exited with a 90-70 blowout victory. “We knew they’d come in here tonight with their backs against the wall and angry,” Harvard coach Frank Sullivan said. “I’m not happy at all with the way that the team compensated for [Cusworth’s] loss.” Right from the opening tip, it was apparent that Harvard was in for a long night. In place of Cusworth...
...Crimson turnovers, tied the score at 63. After Housman missed a long jumper that Tyler rebounded with 33 seconds left, Cornell was able to settle for the final shot. Dale was fouled by Goffredo on a drive with 8.6 seconds left. Before Dale went to the line, Harvard coach Frank Sullivan called a timeout, both to ice Dale and draw up the winning play. “We knew with eight seconds we could get a number of things out of it,” Sullivan said. “It could be a three, it could...
...Each adventure began with the boy Nemo in his hallucinogenic nightworld, provided some vision or threat, and ended with him waking up startled in bed at home. McCay must have taken inspiration from Alice's Adventures in Wonderland and from L. Frank Baum's The Wonderful Wizard of Oz, the publishing sensation of the early 1900s. Nemo is quite like Dorothy Gale, less invigorated than intimidated by this fantastic world, and usually wanting to get back home. ("I don't like this one little tiny bit," he says, "not one tiny weeney...
...Sadly, comic book artists have long regarded themselves as second-class citizens in the world of storytelling," wrote Frank Miller, who did the Sin City graphic novels (and co-directed the film version), in his intro to the fourth volume of The Spirit Archives. He says the result has been "a field that is constantly looking to other media for validation. ?See? We use REAL PAINTING, just like FINE ARTISTS...