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...ball away to the tune of 17 turnovers in the six games.“He has to keep the ball higher [in the low post]. He knows that. And he has to do a better job with his footwork. He knows that too,” Harvard coach Frank Sullivan said. “[We’re trying to] get him to relax, which is hard to do—he’s been pressing way too much, he’s trying to do way too much stuff.” BAPTISM BY FIREFreshman guard Drew...

Author: By Caleb W. Peiffer, CRIMSON STAFF WRITER | Title: Interior Struggle | 2/10/2006 | See Source »

...difficult Ivy road contests, and faced the prospect of eight lame duck games and a lengthy rebuilding process. The five seniors that had consistently logged 30-plus minutes a game would be moving on, leaving a vacuum of talent and experience that would take years to refill. Harvard coach Frank Sullivan looked at the strong freshman class and knew that would be his next shot. The next year would be painful. The following year would be a slight improvement. But three seasons down the line—that would be the next “best chance...

Author: By Michael R. James, CRIMSON STAFF WRITER | Title: Last Gasp for Best Chance | 2/10/2006 | See Source »

...Heartbreaking, for sure,” coach Frank Sullivan said. “Not only the most hearbreaking loss of the season, but in awhile, since that time Kyle Wente hit the halfcourt shot [to beat Harvard 69-67 at Lavietes...

Author: By Caleb W. Peiffer, CRIMSON STAFF WRITER | Title: Sunken Hope | 2/10/2006 | See Source »

...paintings in “Frank Stella 1958” show the beginnings of the reductiveness that culminated in the black paintings. Most of them explore the same very basic composition: a combination of horizontal stripes with rectangular shapes. In a succession of works, Stella explores the different ways that these stripes can be made and the different ways the rectangles can interact with them...

Author: By Julian M. Rose, CRIMSON STAFF WRITER | Title: The Year Before He Broke | 2/9/2006 | See Source »

...ultimate lesson of “Frank Stella 1958” may be that the 1958 works collected here are better paintings than the history-making works of 1959. Much of the power of “Frank Stella 1958” lies in simply raising this issue, however, and it by no means needs to be settled here. Whether the 1958 paintings are actually better than the black ones, just a stage in their evolution, or altogether different, they are simply a delight to look at—a pleasant surprise conveniently located right down the street...

Author: By Julian M. Rose, CRIMSON STAFF WRITER | Title: The Year Before He Broke | 2/9/2006 | See Source »

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