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...great public buildings of the early 21st century - Frank Gehry's Walt Disney Concert Hall in Los Angeles, the Seattle Public Library by Rem Koolhaas, Libeskind's own addition to the Denver Art Museum - all speak in some variation of this irregular vocabulary. Twentieth century Modernism produced many great buildings, but by the 1970s it was a formula for mediocrity. Ever since, architects - and the rest of us - have been looking for a way out. And Libeskind has been showing one way. He may have produced some argumentative buildings, but they happen to be making the arguments that need...

Author: /time Magazine | Title: Star Burst | 5/31/2007 | See Source »

Once you get inside, classical references are out, plunging diagonals are in. And though the gallery spaces are intricately conceived, they don't compete with the art, a complaint that's been raised against Frank Gehry's Guggenheim Museum Bilbao and Daniel Libeskind's addition to the Denver Art Museum. "I wanted a building that artists would appreciate," says Holl. So at eye level the galleries maintain their composure. It's overhead where he gets busier, playing with tilted ceilings and oversize curving alcoves that operate like cloud formations--meaning there's always something interesting going on up there...

Author: /time Magazine | Title: Light at the Museum | 5/31/2007 | See Source »

...amigos: Alfonso Cuaron, Alejandro Gonzalez Inarritu and Guillermo Del Toro. Yet Reygadas, 36, has made the biggest noise at international film festivals and among the more intellectual critics. His Japon and Battle in Heaven won praise for their filmmaking rigor, caustic view of Mexico's social ills and often frank take on sex. With his competition film Stellet Licht (Silent Light), Reygadas shocks again: this drama of a Mennonite community in northern Mexico contains no explicit hanky-panky. In its way the film is true to the severe, austere code of the Mennonites. Yet it is shot with such care...

Author: /time Magazine | Title: Handicapping the Palme d'Or | 5/26/2007 | See Source »

...hipster Jedis - yes they exist - there was an exhibit called "The Vader Project," where 75 artists, including Paul Frank, Marc Ecko and a guy who calls himself Sucklord, customized Darth Vader helmets. The artists created a Statue of Liberty Vader, a Full Metal Vader with camo theme, a hip-hop Vader with a jewel encrusted grill and a black fleece Vader with an exposed pink fleece brain. Sucklord, a New York City artist who declines to share his "government name," used his helmet to construct a diorama of Tatooine, the desert planet that is the setting for most...

Author: /time Magazine | Title: The World's Biggest Star Wars Party | 5/25/2007 | See Source »

...Frank Sinatra was the star behind the original 1960 Ocean's Eleven (original in that it came first) and three ensuing, numerical Rat Pack capers: Sergeants 3, 4 Guns for Texas, Robin and the 7 Hoods. Frank and his pals - Dean Martin, Sammy Davis Jr., Peter Lawford, Joey Bishop - weren't trying to commit art, or even make vital entertainment. Really, they had expectations no higher than the Soderbergh-Clooney mob. Both groups were underachievers and proud...

Author: /time Magazine | Title: Ocean's Thirteen: Dead in the Water | 5/24/2007 | See Source »

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