Word: frankness
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Dates: during 1960-1969
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...cheats even in the love scenes that Playboy found so frank and the Boston police so objectionable. The scenes have superficial honesty because the bodies are naked. But that's it. They don't reveal how the brother's relationship with his whores differs from his relationship with his sister. And if there isn't any difference, if in moment of supposed intimacy people are still isolated, Sjoman doesn't make it clear...
Harvard captain Wayne Andersen captured both dashes and Frank Haggerty scored another double in the hurdles. Haggerty was even with Princeton's Paul Heineken over the last hurdle and lunged to the afternoon's most dramatic win in the 120-yard highs...
...feigned insanity twice and once arrived on a stretcher. In the middle of his trial last January, he fired his lawyer, Frances Kahn, because she was a "prosecution spy" and took over his own defense. The detective who arrested him he called a "sadist." Assistant District Attorney Frank Rogers became the "persecutor." Judge Gellinoff was an "animal." Once, while cross-examining a prosecution psychiatrist, Kayo posed an hour-long hypothetical question. "Now, Doctor," he finally concluded, "assuming everything I said to be true, do you have an opinion as to whether District Attorney Rogers is crazy?" Improper, ruled the court...
Inevitable Break. Potok's confrontation begins when 15-year-old Reuven Malter, brave but bespectacled star of his yeshiva (parochial school) softball team, clashes on the base paths with Danny Saunders, intense, blue-eyed and a sort of Jewish Frank Merriwell. Danny deliberately slams a line drive into Reuven's glasses, Precipitating a 58-page hospital sequence, during which the two boys' enmity grows toward friendship even as the Allies invade France and push out of Saint-L6 toward the Rhine...
...have now a new version of the second century Roman's tenth satire, published as "The Vanity of Human Wishes" by the distinguished American poet Robert Lowell in Near the Ocean. This little book seems to me the outstanding production in what as Frank Sinatra recently said, "was a very good year"--for American poetry as well as for small-town girls. I think particular of the impressive collection of Robert Penn Warren, carrying us from 1923 to 1966 (Selected Poems)and the delicate one of Marianne Moore (Tell Me. Tell Me). To return to Lowell: not only does...